Metaphysical Image Life And Redemption:On Agamben’s Thought Of Image

As one of the most famous contempora0 philosophers.Agamben became an important representative of the left-wing radical theory of thought with his biopolitics theory.His attention to and research on images is between the aesthetic and philosophical redemption of traditional art imaaes.On the one hand,he is full of love and participation in image art.He still actives in the exhibition of ait paintings with the curator’s attitude.On the other hand,his thoughts on images always maintain a metaphysical philosophical attitude and have been devoted to the metaphysical research of images.Beginning with the critical acceptance of the imagery of the Warburs gap.Asamben’s imagery has undergone a process from art history to imagery and landscape,and finally returns to the simplest form of research in this image reproduction..He tried to restore the original existence of naked life in sovereign devices and alienated image landscapes with arn absolute posture and non-potential openness.This development process of Agamben’s image thought is the process of its metaphysical image,and it is also the process of constantly seeking a redemption strategy in the face of the modern crisis brought about by the imagery world since Enlightenment..Its naked exposure to the state of life in the crisis of modernity,and the sorrovful redemption sentiment are the gifts of the ideological potential left by Agam’s image thoughts.The main content of this article is divided into the following three parts:The first part mainly clarifies the inheritance and development of Agamben’s image thinking of Warburg.By reviewing the image view of Warburg,the author summarizes the value connotation of the entire "memory goddess" map.and finds the source of the image of Agamben.The development of imagery after Warburg is the essence and important background of understanding the image age.Agamben’ s acceptance of Warburg was directly benefited from his study at the Warburg Institute in London.The focus is on the relationship between memory and image.As a memory technology,image is a medium for understanding and researching.After Agamben discovered the crisis of modern art,the image has risen into a philosophical gap.Ningfu’s metaphor obtained an image of poetic creation and redemption.The second part focuses on the other path of Agamben’s image thought,and sorts out the sources of Akan Ben’s images,landscapesrgestures,etc.,as well as his creative use and graphical understanding of these ideas.He received imases and landscapes from Benjamin and Deborah and explored the process of returning images from images to images to landscapes.At the same time.A-Gump talked about the attitude,paying attention to the relationship between posture and image,thus opening up the core direction between these key concepts.Among them,the alienation crisis of people in the image age and landscape society is revealed.Agamben uses a kind of image stagnation and repetition,a montage image as a strategy to resist this modern crisis,and the pure gesture field as a pure means of redemption.The third part takes the above two diversifications of Aganben’s image thought with the potential of life,and reveals the dilemma of naked life that is manipulated by the device after the loss of modernity subject through life politics theory.It elaborates on a life politicization process of images,as well as political use of images and ideology production.Image redemption is both interrelated and distinguishable from theological and aesthetic salvation in the opening of the image.The advent of a political squad and the shackles and re-use of the device became a redemptive solution for Agamben in his life politics to deal with the crisis of modernity.But he also fell into the danger of "anarchism" and uselessness.Even so,Agamben’s image ideas still have strong practical orientation and practical value.From naked life to image power discourse,to gap image poetic creation to gain the power of life,from film,landscape,illusion,etc.to the interpretation of Messiah redemption,to the ontological essence of its image with pure potential,A-Gump This image thinking and redemption strategy has returned to a state of non-potentiality,that is,the opening of the gap space on the image to the past and the future,the opening of a possibility.This became a controversial place in his theory of thought,but this did not affect its profoundness and the value of thinking and salvation given to the people in the face of the image of the world in the image age.