The Perspective Of "Hate" Culture Of Korean Film Research

With the constant development of the theory of resentment,the "hate" culture in South Korea has gradually formed the "hate" culture emotion in the heart of the nation,which is caused by the pain of national subjugation,the hate of division and the political disgrace.It is not a single emotional state,but the result of a combination of emotions.Resentment,sadness,regret,endeavor...Become part of the "hate" emotion.The national mood of "hate" is not a negative commentary on low depression.This state of mind has a noncommittal effect on all aspects of South Korea.The national sentiment of "hate" is permeated in economic construction,political participation,literary works,traditional art and film and television works.With the establishment of the film classification system in 1996,south Korean films began to radiate to the world film market.The reputation established by "high-quality films" has made great progress and development of south Korean film system.The "hate" culture in the film art presents the weakness of the nation,the hate of national division,the hurt of realistic criticism and the destiny of women,which are the characteristics of Korean films that are different from other countries.Bong joon-ho,as a film director who won the best film in three Korean film festivals,his description of characters,attention to vulnerable groups,attention to the living state of women who are difficult to stand in the patriarchal society,and the spiritual metaphor of "being the only one in the world" are enough to make him the representative of Korean "hate" cultural films.Bong joon-ho is a witness of the social transformation of South Korea and the formation of "hate" culture.On the one hand,through the touch points of most social problem consciousness "hate" this national culture rooted in the film text,national scars and society to home and the consideration of the social reality and history of the South Korea: Memories Of Murder in the ubiquitous element of historic moment in the presidency of chun doo-hwan,brought by the political game in The Host nation hidden trouble;On the other hand,with his unique aesthetic consciousness and solid narrative skills,he created one movie myth after another for the audience:The Snowpiercer predicted by science fiction,the strange and bizarre jade Okja...The rise of Korean movie because there are a lot of thinking and passion like bong joon-ho film creators,they will be rooted in the national soil "hate" culture complex of aesthetic pursuit: "sad","alienation" and "rebellion" and "rebirth" and the integration of a variety of emotions,understanding in various style expression "hate," the spirit of the kernel,so as to create the fit time significance of film.