| After wind and rain, Korean movie given, but after all the ups and downs with an overwhelming "trend" quickly spread to the whole Asia and even the world film market. Korean movie cannot leave behind the booming of filmmakers rigorous earnest attitude with deep and serious thinking, which including the director Joon-ho Bong. Joon-ho Bong film with exquisite unique narrative and audience loves cold deep thinking. His films not only meet the necessary conditions under which the commercial films, also had the art-house pursues thickness of thought. This article attempts from the Joon-ho Bong artistry and ideological content of the film, explore Joon-ho Bong's artistic creation.Chapter one mainly introduces the Joon-ho Bong's life and creation course. A director of excellent films and their life experience and education background is closely linked. From childhood, family education environment and educational background of sociology congealed into Joon-ho Bong profound cultural implication in the film. Joon-ho Bong's each work trying to breakthrough and innovation, in order to bring the audience a different visual and emotional experience.Chapter two explores Joon-ho Bong's unique narrative charm. Joon-ho Bong works all reflect his distinctive narrative strategies. First of all, the director prefers those meaningful real events. These events itself complete or incomplete, But under the reconstruction of the Joon-ho Bong, in order to good complete interpretation of the story, it is also for his film provides important realistic basis. Second, the binary combination of narrative is also a feature of the Joon-ho Bong works, Place the power and strength disparity of relations between the two groups in the story, the drama is produced on both sides of the pulling and collision. Finally, Joon-ho Bong habit to break the reunion ending of the film, in the form of a "reunion" reveals the dark social evils and human nature.Chapter three explores film acme of camera language. Corresponds to the Joon-ho Bong narrative strategy, its image style also showing the uniqueness. Joon-ho Bong films are mainly social problems worthy of thinking deeply and edge character's living state and emotional anxiety. On the lens language, the director to this performance mainly through two aspects:first, the photographic technique, including a large number of close-up, large Angle Angle lens, the use of long and back light.Second, the editing technique, including polarized clip and repeat the use of montage.Chapter four explores his complex space. In addition to the narrative and audio-visual language, the massive philosophizing Joon-ho Bong works also through its complex spatial construction. Joon-ho Bong, first of all, Joon-ho Bong add new meaning to town in a relatively closed space, The small town of space form is mainly divided into two categories:respectively the influence of historical memory to town and bring people thought the limitations of closed town. Second,director of urban life in the space and cultural aspects of the show presented an isolated complex urban image.Finally, Joon-ho Bong also presents a lot of microcosmic space in the film, the space form each are not identical, but also externalized out the meaning of each are not identical.Chapter five explores the signs of subculture. Joon-ho Bong works though with all sorts of satisfaction form firmly attracted the audience's attention, but behind the profound cultural connotation, main show is the culture subculture. Joon-ho Bong set the subculture contains all kinds of elements one by one in the video:abnormal molecules, abnormal behavior, power and struggle. Showed abnormal molecules to overthrow the powerful control and adopted a series of abnormal behavior, after struggle is not successful, however, eventually into a cycle of vortex, were arrested in the fight against the integrity of the chain. To deepen the confrontation between the class struggle and anxiety from common people. |
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