A Study Of Author Strategies In Bong Joon-ho's Films

In 2020,Bong Joon ho won the best picture award at the Cannes Film Festival and the Oscar for parasite,which focuses on social contradictions and problems.This is the second director in film history to win the Oscar for a non English film after Mexican director Alfonso Caron in 2019.He has also become the first person in the history of Korean film to win the Oscar for best director,thus he has won the attention of the world.Bong Joon ho,who uses films to examine society,naturally becomes the benchmark of Korean film and television culture.Bong Joon ho was born in an art family.His grandfather is a famous realist writer.He learned painting from childhood and has a sociological education background,which lays the foundation for Bong Joon ho's keen perception of art and insight into social life.His works are always full of deep humanistic care.With the help of the director's social criticism,Bong Joon ho always focuses on the contradiction between Korean people and the whole society The films in the new era are full of cultural reflection and national thinking.Bong Joon ho has been looking for a balance between commercialization and the author's expression on the way of the director's creation,so that the film can not only satisfy the enjoyment of the public,but also resort to the expression of self emotion and inner will.His film view is very breakthrough,which provides us with a perfect case and opportunity to rethink the future of the film.This paper discusses Bong Joon ho's consistent author strategy in the film text from the perspective of author theory.Through the combination of text research and comparative research,with the help of narratology and other related theories,this paper takes Bong Joon ho's film and television text as the analysis object,demonstrates the author characteristics of Bong Joon ho's film and television,and analyzes the author strategies of "Three Representations and two constructions" of Bong Joon ho's film and television,namely,theme expression,narrative expression,audio-visual expression;character construction,and the establishment of contradictory aesthetics It also has a deep image kingdom of Fengshi.The article is divided into five parts.In the introduction,the author describes the research background and significance of the topic,combs the author's strategy and the research status of Bong Joon ho's films,discusses the author's nature of the research object Bong Joon ho,and summarizes the research methods and innovation of the paper.The first chapter combs the development of the theory of "author's film",so as to demonstrate Bong Joon ho's identity as an author from the perspective of the author's theory,and explores Bong Joon ho's "Three Representations and two constructions" author's theory strategies: theme expression,narrative expression,audio-visual expression;character construction,the establishment of contradictory aesthetics to construct his own image kingdom.The last three chapters are the theme part of the article,which sort out the theme,characters,narrative and contradiction,audio-visual language from the form of one table and one structure,so as to make a detailed demonstration and statement of Bong Joon ho's author strategy.In the second chapter,from the perspective of social belief,class and contradiction,the author shows the theme with profound social connotation;from the portrayal of the absent public power personage,the forced patricide woman and the deformed lone hero,the author constructs the collective image of the marginal group.Through theme expression and character image construction,Bong Joon ho's consciousness of social problems in his works is expressed.In the third chapter,the author points out that there are continuous and unified narrative characteristics and contradictory representations in Bong Joon ho's films,and discusses Bong Joon ho's author characteristics from the perspectives of narrative space,narrative strategy and narrative subject.The last chapter takes Bong Joon ho's lens language as the breakthrough point,analyzes the comparative music rhythm and warm and cold interwoven tone in Bong Joon ho's film text and montage's audio-visual expression,discusses the director's unified audio-visual style,expresses the social reality with the image language of hallucination and realism,and explores the edge of the film from the perspective of technology,art and media To create a film and television text that belongs to Korean characteristic culture and also belongs to the world nation,highlighting the style of an author and director with humanistic consciousness.