The Story Of Buddha In The Frescoes Of Dunhuang Grottoes Is Reappeared In Modern Illustrations

This paper focuses on the analysis of the many murals developed by the Buddha in the Dunhuang murals,analyzes its significance and value,and studies the artistic features and unique charms of Dunhuang Buddha's murals in different eras.Then,combined with the modem illustrator form,complete the modern Buddha's life story painting with Chinese traditional culture.This paper embodies the influence of the line language,color matching and composition form in Chinese traditional painting on its various aspects of modern illustration.At the same time,it deconstructs and reconstructs the classic Buddha with different perspectives and artistic language of modern illustration.The central idea and enlightenment in the story of life,the ultimate goal is to integrate the various elements of the evolution of China's ancient and modern,try to describe the story of the Buddha's life,which is a thousand years from the perspective of the multi-dimensionality of modern illustrations.Pay tribute to the masters of art before the millennium,and use some of the traditional techniques and ideas of ancient China to inject fresh blood into traditional subjects.First,by understanding the artistic style and characteristics of Buddha's murals of different ages,selecting and extracting the elements and techniques suitable for this practice,and integrating them into the creation of modem illustrations;second,studying the story of Buddha's life in Buddhism The role and value of the medium,to appreciate the profound educational significance,combined with the works of Dunhuang murals for the murals of the Bunsen story,through these paintings,to understand the information they want to convey,and to analyze the differences between the different forms and methods of painting.Buddhist doctrine thoughts,and the universal values covered in the story of Buddha's life;the third is to analyze the functions and values of modern illustrations,because modern illustrations have higher and broader communication strength and commercial value,and spread in cultural thoughts.The field has a strong vitality.In the current society.whether it is paper or electronic media,modern illustrations have a broader promotion platform than murals.After combining Dunhuang Buddha's story paintings with modern illustrations,it will have higher and higher levels.Wide dissemination and development space.I hope that in this practice,I will make new attempts to modernize the Chinese style through such re-creation.Fourth,through studying the Bunsen paintings in Dunhuang murals,I will inherit the inheritance of three modern illustrations in the later creation.The use is mainly reflected in:the choice of the theme of creation,the shaping of the object of painting,the reproduction of the classic theme,the artistic expression of the painting language,the collocation of color elements,the integration of the ideological realm,and so on.The three Buddhist scriptures,named "Shipiwang","Luwang" and "Shanzi",were once again presented in the form of modem illustrations and traditional elements of traditional art.Through these three The mentality of the creation summarizes the conclusions of the final practice.If China's modem illustrator wants to have its own unique and irreplaceable position on the world illustrator stage,it needs to start from the two dimensions of inheritance and innovation,retain its mature artistic heritage,and then use this as a cornerstone to inject new art.The concept,to integrate and develop the illustration art with the new era characteristics,and to use the modem illustration to re.interpret the classic theme,so that it can be more widely spread and concerned in the current society than the murals of the millennium.