Research On Aesthetic Elements Of Chinese Opera Nationalization

Since the development of Chinese Opera,it has already had its own place in the world art field.This is due to the unremitting efforts of several generations of artists.Of course,the development of Chinese opera can not be separated from the social background.Chinese operas were first introduced from the West.Due to geographical factors,ethnic groups and aesthetics were separated and not unified.Therefore,our predecessors continued to study advanced art and culture in the West.Perhaps it was not a systematic theory at first,but it did not blindly imitate it.In the 1920s and 1930s,Chinese opera combined it with traditional Chinese drama.That is,this period,Chinese opera combined the social background and elements of the times.When it came to the socialist stage in 1949,art,as one of the main expressions of freedom of thought,was more allowed to create freely.Until its development,it has been separated from traditional Chinese drama and developed into a national development,whether from material creation,music or stage characters.It completely shows the mark of nationalization.There is a historical deduction process in the nationalization of Chinese Opera.Therefore,this study is based on the perspective of historiography and summarizes the causes of the nationalization of Chinese opera in the budding period from the background of Western learning and the May 4th Movement.Analyze the evolution and development of Chinese opera nationality from the works of authors and representatives in different regions,summarize the specific practice of the nationalization of Chinese opera during the War of Resistance Against Japanese Aggression,and reflect and integrate the nationalization of the works in the lyrics with the former Soviet Union.The theoretical system of Russian dramatist Stani is analyzed.Based on this,we study the development and maturity of Chinese National opera after the founding of New China.Finally,we believe that the aesthetic elements of national Opera are reflected in different periods.The aesthetic elements of Chinese National Opera are specifically stage performance,creative beauty,and character beauty.To the aesthetic elements.In this way,while studying the aesthetic elements of the nationalization of Chinese Opera,we have also combed the historical context of the nationalization of Chinese Opera.As the background of the nationalization of Chinese Opera,these are complementary.The second chapter expounds the concept of the nationalization of Chinese Opera,summarizes the evolution and development of the nationalization of Chinese Opera,and then introduces the characteristics of the introduction of Western opera and the relevance of Chinese and Western operas.The third chapter describes the specific practice of Chinese opera nationalization during the War of Resistance Against Japanese Aggression according to the historical time sequence,and combs the content of the material nationalization and the theme with the characteristics of the times.The fourth chapter introduces the development and maturity of Chinese National opera after the founding of New China,from the nationalization of the representative works and arias of the National opera to the integration of Western Opera.The fifth chapter will focus on the historical evolution of the National opera stage performances,music creation,characters and other aesthetic elements.The conclusion summarizes the thinking on the direction of the development of national Opera.First,it must have the national characteristics of the Chinese nation,and secondly,the theme creation must have authenticity and diversity.Finally,we need to strengthen international cooperation and pay attention to the balance of the consumer market.This paper pays attention to the organic combination of history and theory in research methods.The establishment of related theoretical views is based on the summary,induction and derivation of a large number of literature investigations.