A Study On The Aesthetic Thought Of Guqin Music Of Literati In Wei And Jin Dynasties

Cultural self-confidence is the spiritual backbone of a nation.the rise and fall of the Chinese nation for thousands of years has achieved a bright and prosperous traditional culture.Since the 20 th century,the Chinese nation has once again revived from decline,but the influence of westernization makes the aesthetic orientation of music more and more deviate from the traditional music culture,and in the new era of emphasizing cultural self-confidence.We urgently need to find a model of elegance and beauty in Chinese traditional music culture to awaken the public's recognition,self-confidence and consciousness of Chinese traditional music culture.Excavating a model of elegance and beauty from the development history of Chinese traditional music culture for thousands of years,we might as well explore along two lines: one is to take the process of the history of Chinese thought as the basic context,The development of the mainstream music aesthetic orientation to do a forward exploration;the second is to take the evolution of music in the history of Chinese music as the context to carry on the reverse excavation of the music expression which carries the aesthetic thought of the Chinese nation.Along these two lines,the former led us to the Wei and Jin dynasties,which was the aesthetic consciousness of the literati group,while the latter pushed GuGuqin music,an art form representing the aesthetic orientation of the elegance and beauty of the Chinese nation,into our field of vision.Based on historical facts and literature,this paper investigates the aesthetic thoughts of literati in Wei and Jin dynasties from three dimensions: philosophy,historiography and aesthetics.The full text chooses the Wei and Jin dynasties from the history of Chinese music aesthetics thought,on the basis of summarizing the GuGuqin aesthetic literature of this period,the first chapter explains the source of the Wei and Jin literati's Guqin music thought from the philosophical point of view.That is,the enlightenment of metaphysical thought in Wei and Jin dynasties and the integration of Buddhist thought in Eastern JinDynasty,the second chapter combs the existence carrier of Guqin music of literati in Wei and Jin dynasties,that is,Guqin Fu,Guqin Wen,Guqin poem,Guqin Song,Guqin qu and so on.The third chapter sums up the aesthetic thoughts of the literati Guqin music in Wei and Jin dynasties from the perspective of aesthetic research,and carries on the close-up with the aesthetic artistic conception,the aesthetic mood,the aesthetic ideal,the value manifests these four mutual influence angles.This paper holds that the development of literati's aesthetic thought of Guqin music in Wei and Jin dynasties presents two characteristics: the construction basis of literati's aesthetic ideal changes from external demand to domestic demand;The media role of Guqin music between cognitive subject and cognitive object(especially natural object)has been greatly strengthened.Under the enlightenment of metaphysics,the aesthetic concept of literati under the declining Confucian ritual and music has changed from outside to inside,and it is more elegant and empty after the integration of Buddhism.GuGuqin has also changed from the external symbol of the gentleman's morality under Confucianism to the spiritual medium in which the literati explore themselves and transcend themselves.Therefore,under the background of emphasizing cultural self-confidence in the new era,this paper looks for the commonness with today from the historical change of the aesthetic thought of Guqin music of the literati in Wei and Jin dynasties,and excavates the elegance and beauty in the traditional culture of the Chinese nation.In order to make the masses of today's traditional Chinese music culture to achieve real recognition,self-confidence and consciousness,in order to make the traditional culture of the Chinese nation to be better retained and inherited.