The Correction And Annotation Of "Shui Xin's Collected Works"(Epitaph) And Related Research

As the representative of the Southern Song Dynasty Zhedong School of Work,Ye Shi's study of merits and Zhu Xi's Neo-Confucianism and Lu Jiu-Yuan's mentality are all three-legged.The brilliance of academic achievements has concealed the achievements of Ye Shi's epitaphs.In-depth.As for the arrangement of Ye Shi article collection,there is currently no school copy that meets academic research.Therefore,this thesis is divided into upper and lower editions.The upper part of the thesis selects the epitaph of the “Shui Xin's Collected Works” to be a collation and annotation;the following is based on the literature of the intensive reading of the schoolnotes.The next part of the paper is discussed in three levels.The first part is to analyze Ye Shi's inscriptions on the two aspects of the creation of Han Yu and Ouyang Xiu's inscriptions.First of all,in the stylistic view of the inscriptions,there is a contradiction between Han Yu's “unevenness and sound” and his writing of flattery.Ouyang Xiu's adherence to the purpose of cultivating good intentions and good faith is alsoirreconcilable.On the one hand,Ye Shibei's literary style inherits the related thoughts of Han Yu and Ouyang Xiu,on the other hand,he overcomes the contradiction between the two predecessors and promotes the literary theory and creation of the Inscriptions to the lofty status of the“Articles of the Great Book”.From the style of secular entertainment to the status of orthodox literature equivalent to the book.Secondly,in the specific creative techniques,through the pattern of writing,selection of materials,brushwork,expression methods,and description techniques,Ye Shi wrote about the changes in the specific creative methods of Han Yu and Ouyang Xiu's inscriptions.The second part is to analyze and discuss Ye Shi's "individual search" for the inscription on the inscription.First of all,Ye Shi introduced scenery into the text,not only to contrast the image of the characters,but also to blend feelings into the scenery.There are many sustenance in the blending of scenes.Secondly,Ye Shi was inspired by the biography of Shih Chi,and he innovated inscriptions and styles.In the end,Ye Shi's inscription also presents a dissipative cultural tendency,breaking through the shackles of litigation and verse writing,so that the inscription begins to assume the functions of narrative,argument,and lyricism.The third part is a special chapter to analyze the heterogeneous image of the female inscriptions in Ye Shi's “Looking for one's own” andthe female view behind it.Ye Shi adheres to a more open-minded view of women,not only admiring the different virtues of women,but also treating women with men and writing women.Breaking the stereotyped image that is different from the inscriptions in the past,it presents a different style.