Practical Exploration Of Cross-border Singing In Chinese Modern And Contemporary Pop Songs

In China's major music colleges,vocal music majors can be divided into three categories according to singing methods,namely bel canto,national singing method and Popular(pop singing method).At a time when the art industry is booming,the public's aesthetics is improving day by day,and the public's entertainment is becoming increasingly rich.A single Singing Form has long been unable to meet the public's aesthetic needs.Many vocal music researchers at home and abroad have begun to explore vocal Singing Form outside these three traditional Singing Form.Thus,the concept of"cross-border singing" arises at the historic moment.At present,the forms of"cross-border singing" in China can be broadly divided into "Minmei singing","Mintong singing" and "Meitong singing".This article will summarize and prove the phenomenon of "cross-border singing" in modern China,and sort out the data of "cross-border singing" of popular songs by classical singers at home and abroad through tables,and analyze the influence and function of this performance form of "cross-border singing" from various aspects.The third part of the paper will combine the "cross-border singing" experience of many singers,through the form of singing analysis and concert practice,carry out a"cross-border singing" practice exploration on the two popular songs of Pearl Curtain and Flowers Wither.The singing analysis will demonstrate the feasibility and aesthetic value of the "cross-border singing" of the works by combining the creation intention,creation background,composing techniques and the current situation of the second creation of the works,and provide theoretical basis for the practice of the concert.Through this method of practical analysis,the aesthetic value and practical significance of"cross-border singing" can be embodied more intuitively,which provides theoretical guidance for the secondary creation of more kinds of vocal music works in the future.