Returning To The Original:Examining The Creation Of National Opera In The New Era

In today’s high productivity,the creation of Chinese national opera is various,but in learning vocal music education in colleges and universities,we will be in learning Chinese vocal music works of folk opera classic aria as learn repertoire,but the whole process of vocal music learning,learning new classic opera works are numbered,so only good folk opera works can be vocal music teaching materials.In the system of national vocal music learning process,including the local folk songs,opera,living museum and so on many kinds of Chinese national vocal music,and grasp the national opera singing skill is the most important thing in the national vocal music performing professional ability,in constant contact with the national vocal music culture,what is I can’t help thinking about folk opera opera,folk opera creation by now why doesn’t have the ability to work in advance,once upon a time a really good folk opera was born,will cause great social influence,and now the creation of the national opera into a trough?Therefore,this paper pondered and explored the meaning of Chinese national opera.Looking back at the historical process of Chinese national opera creation,this paper analyzes the creation of Chinese national opera in the new period,finds out the crux of the problem,and reflects on the direction of the creation of national opera in the new period.This paper is divided into three parts,through the social perspective,to the new era of Chinese national opera creation in the general commonality of the study,from the "deconstruction" and"reconstruction" two points echo.From far and near,from big to small,the research Angle falls into the internal aesthetic appeal and creative strategy of national opera creation;This paper explores the way of national opera creation in the new era from the two clues of banqiang and performance forms in national opera.From the main characteristics and creative paradigm of national opera,this paper makes an in-depth analysis of the meaning of "deconstruction" and "reconstruction" of the universal creative phenomenon,and gives an answer to the "aesthetic appeal" and "creative strategy" of national opera creation.It is true that in the recent five years of national opera creation in the new period,the works with the characteristics of "deconstruction" and"reconstruction"--August osmanthus blossoms everywhere and king zhuang of chuwere found to deconstruct,chew and appreciate.Starting from examining the creation of national operas in the new era,this paper carefully studies the "social vision","music image" and "performance mode" in the works,closely follows the aesthetic appeal and creative strategy in the new era,and explores the huge potential contained in the creation of national operas.The three parts are inside and outside each other.The first part summarizes the general phenomenon of the dissolution of the traditional ethnic opera creation forms.The third part summarizes the direction of the reconstruction of national opera creation in the new period,summarizes the deficiencies and expounds the viewpoints.From now on,starting from the new period,the author will seek the right direction for the creation and development of national opera,so as to cry out for the national opera in the new period,clear up the mist,and take on the mission of correctly carrying out the social practice and spreading the connotation of Chinese national mainstream culture.