A Study On Mong-Hong Chung’s Movie

Since the "Taiwanese Film Renaissance" in 2008,Mong-Hong Chung has distinguished himself in a group of "new directors" who are 30 to 40 years old in his remarkable personal style.In addition to the " The Fourth Portrait " is a joint screenwriter with Hsiang-Wen Tu,the four feature films in the past have been photographed,independently written and directed by himself.Therefore,its works have distinct personal characteristics,whether it is a narrative theme or an image style.To a large extent,the work of director Mong-Hong Chung presents the characteristics of the author’s film.Mong-Hong Chung ’s film is praised for his calm and self-sustaining perspective and his unpredictable style.In his vivid personal style,his film clearly conveys deep thoughts on the current spiritual life of Taiwanese society and ordinary people.Taking the ordinary life of ordinary people as his subject,he placed the grand propositions such as dilemma,identity search and self-identity in the display of daily life,and he was anxious about the current social crisis in Taiwan.Its image filled with sobering realism,but in it,the black atmosphere of fear and gloom is operated by light and color.Under this contradictory and integrated style,the warmth of care hidden in the depth of the image is everywhere.The grotesque image style and the warmth of the story behind the story constitute Mong-Hong Chung ’s unique and distinctive personal style,which also makes him one of the most vivid filmmakers in Taiwan’s new generation of directors.This article takes the four feature films,a short film and a documentary directed by Mong-Hong Chung as the research object.The full text is divided into three chapters.The first chapter combs the theme and theme of Mong-Hong Chung ’s film works.The second chapter focuses on the image characteristics of his films,and analyzes the use of pictures,sounds,long shots and montages.The third chapter analyzes the causes of the style of the film.