A Study On The Image Of Mother From The Perspective Of Narrative Ethics

"Ethics" refers to a series of concepts that guide behavior,and is a philosophical reflection on moral phenomena from a conceptual perspective.Mother ethical narrative is a way for writers to find the discourse of the world based on the narrative theme.It is the writer's reflection on history and the reflection on life experience.In the context of the history of Chinese literature,the tradition of mother narrative has a long history.In the 20th century,with the translation of foreign literary thoughts and the changes of Chinese social history,the narrative ethics of mother narrative presented a new quality and space for discussion.This paper selects the narrative works of some writers from the late 1970s as the object of discussion,discusses the trend of narrative ethics in mother narrative,through the analysis of the leftist writers,Zhang Ailing and the narrative ethics of the mothers in the late 1970s.Compare and abstract the characteristics of the narrative ethics of the mother in the 20th century.This paper is divided into three parts:introduction,three chapters and conclusions.The introduction part firstly analyzes the important concepts mentioned in the paper,"grand narrative","daily narrative" and "narrative ethics",and points out the grand narrative and daily narrative and narrative ethics.The similarities and differences,followed by the summary of the research status of the paper,and finally explained the research objects,research methods,innovations and deficiencies in this paper.The body part is divided into three chapters.The first chapter selects the narrative ethics of the mother and the war under the revolution and sums up the narrative ethical characteristics of the mother narrative in the grand narrative.The works of this period(the comma)attempt to be in the mother of war and revolution.In the narrative,the writer's reflection on history has broken through the barriers of political ideology to a certain extent,but it still lacks the writer's care for individual life feelings.The second chapter summarizes the narrative ethical characteristics of the mother narrative in daily narrative by analyzing the female marriage relationship,the female family development history and the female parent-child relationship in the works.The "private" writing makes the female individual subjectivity become the writer's self-consciousness.Object,this not only provides a space for emotional exchanges for writers and audiences,but also expands the breadth and depth of mother narrative.The third chapter combs the ethical characteristics of mother narrative in the four important nodes of Chinese literature in the 20th century from the reflection and conflict of role consciousness,the consciousness and confirmation of gender consciousness,and the questioning and liberation of the soul.The narrative ethics of the mother narrative in the 20th century experienced a process from the writing of the male discourse system to the attention to the female ontology.However,it is undeniable that the differences in values caused by gender differences and gender inequality still exist.Lu Xun was a hundred years ago.The prophecy of the fate of women in "What is Nora after leaving" still works.The conclusion is a summary of this paper,and a review of the narrative ethics of women's exploration in the 20th century mother narrative.What is the way out for women?This is the thought left to us.From a vertical perspective,in the long history of mankind,although the 20th century is short-lived,it has realized the leap from women's self-discovery to self-confirmation.This is a breakthrough in the image of women under the patriarchal discourse system.From the horizontal perspective,after the end of the 1970s,writers used the individual's life experience as the object of writing.Through the mother's window,we were able to see the human desires and light.