The Struggle Of Tchaikovsky’s Works In The Context Of Life

Pyotr llyich Tchaikovsky is one of Russia’s composers with a high international reputation.Many scholars in China and the West have conducted extensive research on their works from different angles.The study of sexual metaphors in his works is one of the hot issues in domestic music research in recent years.The core concept "Gender"developed by Feminism has become a common analytical model in the field of modern disciplines.Feminism is a way of thinking for women to fight for equality from society,politics,and culture in a patriarchal society.As one of the core ideas of feminism,gender not only focuses on the female group,but deconstructs the inherent thinking mode of the concept of gender in society.This article focuses on the work of Tchaikovsky’s sexual orientation identity,including a total of introductions and three chapters,the contents of each chapter are as follows:Chapter 1:"Tchaikovsky as the "other" triple identity" borrowed the concept of the other in Western post-colonialism,according to different literature to sort out the three identities of Tchaikovsky’s other:1.The Russian nation is the existence of the other between Europe and the East.The position of Tchaikovsky in Russia and Europe makes him the other person in the circle of composers.2.From judge to composer,The big shift in career choices has made Tchaikovsky the other in the family.3.Finally,his sexual orientation,which is the most "fatal" and the most unwilling to admit by Tchaikovsky.Chapter 2:"Tchaikovsky and Gender "re-examines Tchaikovsky’s work from a gender perspective,based on Susan McClary’s " Sexual Politics in Classical Music "and Malcolm Brown " Tchaikovsky and his music in Anglo-American criticism,1890s-1950s were used to reinterpret the theoretical basis of Tchaikovsky’s music,and to strengthen the analysis of the two selected in Tchaikovsky’s works with the concept of androgyny.A character who has both male and female sexual characteristics,trying to weaken the stereotype of Tsipovsky’s feminization.Chapter 3:"The Acceptance of Tchaikovsky’s Sexual Orientation Problem in China"Tchaikovsky’s sexual orientation identity has been marginalized in the mainstream music culture in the English-speaking world,and his sexual orientation in China What is the acceptance of orientation identity?According to the author’s only master’s thesis on homosexuality in China,the author has sorted out the different acceptances in China in three periods,and on this basis,perfected the scholars of different cultural backgrounds in different periods to the same Tchaikovsky.Analysis and comparison of the works.In addition,it is also innovative to propose a comparison with Western music textbooks.The image of Tchaikovsky’s composer is modeled in Chinese music textbooks.