From The Aesthetic Angle Of View To Explore The Nvshu Culture Symnols

In the contemporary family,work and other social scope,the proportion of women's voice and rights and interests gradually changed.Female language is a subject with distinctive characteristics in semiotics.In Jiangyong county in southern Hunan province,NvShu,a language spoken only by women,was invented and spread to the northern part of Guangdong and Guangxi provinces on the border with it.Jiangyong NvShu,as the carrier of women's emotion and hope,existed as a special language symbol in the feudal society.The conflict between the image of female symbol and feudal society contains strong aesthetic value.The essence of Susanne Langer's symbolic aesthetics theory is to express the meaning of art in a simplified form.Art is related to human emotion connotation and life form,and the emotion connotation and life form value in symbolic aesthetics are the main differences from common symbols.In the theory of symbolic aesthetics,"emotion" and "life" are its core values.Jiangyong NvShu reflects women's emotional needs and life forms from the formation purpose,form,content and users of the characters.The author will Jiangyong NvShu culture as an aesthetic symbol image exploration.This paper studies women's emotion of pursuing knowledge despite being oppressed in the society at that time from multiple angles,and USES a language carrier to communicate with each other as a life form.Jiangyong NvShu culture in the feudal society and contemporary social change in the context of comparison,which emotional,life content has been sublimated.Therefore,it explores the changes of women's language and inner feelings in society.Jiangyong NvShu is not only a carrier of communication,but also a communication of gender culture and a more equal social environment.