Research On The Application Of Photographic Language In Oil Painting Creation In The Age Of Reading Pictures

The art of photography and the art of painting interact with each other.Early photography imitates painting and treats photographic images in a painting style.With the continuous development of technology and the constant change of ideas,the painters began to adopt a kind of photography.Observing the technique and explaining the painting.Based on the background of reading the picture,this paper analyzes the visual cultural turn under the consumerism and new media innovation,affects the change of the audience's psychological feedback viewing mode,expounds the composition of the photographic language and the innovative transformation of the photographic language to the artist's painting creation and concept expression.The relationship between photography and photography seeks new media carriers and expressions for the art of painting.This topic focuses on how to incorporate the photographic language into the painting creation,discusses the transformation of the painting function under the photographic communication mode,and enhances the influence of the precise characteristics of photography on the reproducibility of painting and the expressiveness of photographic viewing,and enriches the scope of painting with photography.The form of composition and the expansion of the expression of painting language make the creation of oil paintings diversified.While photographic images provide convenience for the artist's creation,the painter also tends to rely too much on image resources,and the phenomenon of “photographing” follows,leading to the “vulgarization” or “convergence” of the paintings.In response to this phenomenon,the artist needs to make rational use of the photographic language,dialectically treat the photographic image,subjectively analyze the photographic image,form the visual representation of the photographic reproduction,construct the rich form,change the visual experience,break through the limitations of the photo itself,and explore the essence.In order to realize the artistry of painting,this "image of image" creation method is also adapted to the current consumer society and communication channels.Secondly,in the whole painting process,it is necessary to exert the subjective initiative of the creator,return to the ontology of painting,pay attention to the manuality of the painting in the process and the tendency of the picture to flatten,and incorporate the “manual sense” and “human trace” into the picture through the material.The touchability and the contingency of the material cause the viewer's deep thinking and psychological effects,thus achieving the emotional resonance between the viewer and the artist and the conceptual communication behind the scene.Finally,inspired by the perspective of photography,rational use of photography language,combined with the author's sentiment,summed up the characteristics of photography language,the viewing method brought by photography technology is radiated to a wider and wider perspective,widening the visual angle,enriching the composition form,Extending the expression of the language of painting art,using the body to feel more,as a theoretical basis,to provide help and supplement for future creation,has certain theoretical significance and application value.