An Analysis Of The Picture Art Of Photography

Europe's photography originated in nineteenth Century.It has the dual characteristics of western culture and industrial revolution.Because the original intention of photography is largely from the promotion of painting skills,from the beginning of its beginning,it formed a complex relationship with both mutual influence and confrontation with painting.The rapid development of science and technology is changing this era and changing our life.In this great historical trend,under the promotion of the nationalist vision of the Chinese intellectuals and artists in different periods,photography is also on the soil of Chinese traditional culture,producing new branches,thus forming a different aesthetic / photographic aesthetic performance from the West.However,it is not an overnight change,but a long and difficult process of resistance,acceptance and localization,and in different periods of different forms of trial and exploration,we have been able to review this difficult calendar through these cases today.This study tries to explore the way of expression of modern photography,to explore the origin and meaning of the artistic conception,the expression of the artistic conception in the Oriental painting,and to sort out the present photography thinking with the theme of traditional painting,and try to use the traditional painting by the traditional painting through the design of the traditional painting element.Draw the form of artistic conception to practice creation,and incorporate Oriental painting characteristics and artistic conception into photography creation.By studying the theme of "the exploration of artistic conception in contemporary photography",this creation explores the context of personal creation and photography,examines the consistency of creative connotations and forms,and hopes to construct a personal aesthetic view of creation and the formation of a photographic style.One of the most representative pictorial photographers,Lang Jingshan,is the subject of a major case study.He has been firmly on the road for more than sixty years,and has been favored by the photographer of various countries.Through the in-depth study of his collection photography,it is concluded that the beauty of the artistic conception of traditional painting has played an important guiding role in the formation and development of modern photography.His theory of creation has drawn the essence of Chinese traditional aesthetics,and has a vital guiding role in the creation of picturesque photography and the composition of photography theory in the modern and future.