Research On Simmel's Aesthetic Feeling Theory

Simmel's concern for modern society is not only a social issue,but also a question of survival.Aesthetics,as part of the inner spirit of the spirit,is often called sensibility.Sensibility is paramount,and form is nothing more than a theory that expresses the way of perceptual existence and the medium,that is,the theory of feeling.Feeling is an important part of Simmel's aesthetic thought.He uses modern feelings to understand social phenomena.The quality of modern life is sensory,and sensibility first means the aesthetic spirit of "psychologicalism" and "impressionism." Simmel's aesthetic feeling is a feeling close to the aesthetic sense.He uses the vision of sociological aesthetics to objectiveize subjective things.When he analyzes these modern art,these modern objects,he is analyzing modern feelings.The feelings after objectification,such as art,fashion,social,etc.,are all able to be seen,observed,analyzed,and feel the carrier.This paper consists of three chapters.The first chapter is mainly about the modern feelings.It starts with the influence of modern urbanism and currency on the sense of survival,which leads to the modern aesthetic feeling.The modern aesthetic feeling is based on the "distance",the personality and freedom dominate,and the feeling of modern aesthetics.The second chapter mainly discusses the aesthetic feeling in modern art,the transformation of modern art,the presentation of new forms and new methods,and the problem of form and content,but the problem of feeling.Behind the subversion of “informal” and “anti-form” forms is a kind of aesthetic sense of life that modern art brings to people.First of all,it introduces the meaning of the words "no" and "anti" in modern art,and then discusses the specific meaning of "no form" and "anti-form".Secondly,the sensibility of this life instinct is put into the specific artistic creation activities.Through the feelings of three modern art expressionism,abstraction and futurism,it is rich to analyze the "informal" and "anti-form".The feeling of aesthetic meaning.Again,study its origins and discuss the origin of the aesthetic sense of life.Finally,the general summary of the relationship between aesthetic feeling and "informal" and "anti-form".The third chapter mainly discusses the aesthetic feeling in modern life.First of all,from trade fairs and art fairs,we can see the novelty that the exhibition brings to people.Secondly,it discusses the sense of pleasure created by pure forms in daily life and the sense of harmony created by everyday things.Finally,the general summary of the relationship between aesthetic feeling and daily life.Simmel's aesthetic sensory theory provides a new perspective for the aesthetics of modern aesthetics.The aesthetic feeling is not only discussed by estheticians.As a sociological aesthetician,he can also grasp art and life from the perspective of social aesthetics.Sensual characteristics.At the same time,Simmel's perception of objectification is different from other philosophers and estheticians.The feeling that aesthetics now faces is very different from the emotions that Kant and Hegel's aesthetics refer to.People's sensibility of life instinct,as well as aesthetic or perceptual quality of life,open a new perspective for modern aesthetics,injecting new vitality into aesthetics itself.