Pride And True Colors

"Nature" is an important category of Chinese classical aesthetics system,"nature" as an important aesthetic category has experienced from philosophy to the transformation of literary criticism,it refers to the "professional" technique with the identity of the creator,also refers to the status of poems and lyrics "authentic",and refers to the language of poetry style simple,natural,in every period of wei jin,tang,song,yuan poetic criticism of "grey" present a dynamic development,and constantly enrich and improve the situation.But these are all from the stylistic characteristics of the "nature" category of the provisions,mainly refers to the inherent aesthetic characteristics of literary genres.While under the influence of the mind in the Ming dynasty,subject consciousness soared,displays a strong spirit of freedom of personality and life,in this context,wang yangming Wen Lungu gave a meaning to "grey" category,they are not unilaterally the pursuit of the idea of the original article,but the true spirit of self get true false expression in his works,not only that,they will also advocated learning and achieve mastery through a comprehensive creation subject of life experience,and come out from his consideration of knowledge accumulated in learning,to send for your article is ecru.This paper is divided into six parts,introduction and five chapters.In the introduction part,the existing research on the aesthetic category of "original quality" is analyzed and sorted out from four perspectives.On this basis,the "original quality" thought in the context of psychology is studied.The first chapter makes a historical survey of the aesthetic category of "natural quality",starting from the category of "natural quality",probes into its etymology and philosophical meaning,and analyzes its connotation in the field of literary criticism.After that,this paper studies the reflection of the thought of "natural quality" in the ideological trend of wei,jin and six dynasties and the thought of "distinguishing between body and nature",as well as the theory of "breaking body" and "natural quality" in tang,song and yuan dynasties.The second chapter embarks from the kernel context of Ming dynasty,the "instinctive" to study the time spirit of aesthetic category,the first study of the subject consciousness of wang yangming context in Ming dynasty,after the crazy man,crazy zen,the Angle of mad Juan in Ming dynasty,wang yangming Wen Lungu study the essence of life,to show love study Wen Lungu "real me" the instinctive quality of life and individual spirit highly free state.The third chapter analyzes the pursuit of the academic purposive of "the study of contentment" under the experience of "my true nature" of life,and the theoretical connotation of "the theory of complacency".After on the relationship between the "awesome" and "nature" is analyzed,which emphasized "instinctive" wang yangming context of the text is not specified,life experience and learning is accommodating,cultivation of creative subject for life experience,shows their different life experience is accumulated after learning,current articles,appear as ecru.The fourth chapter discusses the embodiment of the aesthetic category of "natural quality" in literature and art in the context of psychology.Emphasis on the context of wang yangming's "grey" aesthetic category is not in man's consciousness about the specific form,but a manifestation of life surge and impulse,and the aesthetic category "instinctive" claim relying on me,to express the content of the true feelings,rather than unilaterally resign from literary mood on novelty,even emphasizes the originality,also is not strong,is also the depths of the soul from the body is revealed.Chapter five analyzes the historical value and limitation of the aesthetic category of "natural quality" from the perspective of aesthetic paradigm,and then discusses the significance of the aesthetic category of "natural quality" for the development of contemporary literary theory.