A Study On The Godson Figure Of Yongzhen Familie Rose

Ceramic figurines appeared in the Yuan Dynasty and appeared in large numbers in the Ming and Qing Dynasties.The theme is family class and the teachings,the picture of teaching sub-graph of female and baby combination is the most c ommon.This theme not only reflects the concept of family education at that time,but also reflects the political system,ideology and culture and aesthetic orientation of this period.This article takes the famille rose paintings of the Yongzheng period as the research object,starting with the monographs of books and the physical materials collected by the museum.Using the methods of iconography,comparative studies,and sociology,through the collection,classification,and comparison of a large number of graphic materials,the paper analyzes the art of subject classification,character image,scene composition and auxiliary ornamentation in the paintings of Yongzheng famille roses.The characteristics,combined with the social and cultural background at that time,explored the profound aesthetic implication and cultural connotation hidden in the paintings of the famille roses in the Yongzheng period.The full text is divided into six parts,which are: the first chapter,the introduction part,expounds the reasons for the full-text topic selection,the definition of relevant concepts and the research status at home and abroad;the second chapter is godson figure,through the collation of documents and image data,This paper briefly introduces the development of the image of the godson and the emblazonry of the ceramic godson,summarizes the specific reasons for the appearance of the ceramic godson pattern,and discusses the social background of the prosperity and development of the famille rose paintings in the Yongzheng period.Chapter 3: The influence of other art,the use of comparative studies.The method compares a large number of images and physical materials,and clarifies the relationship between sister art,western culture and art and the formation of the artistic style of the teachings,and provides the basis for studying the artistic characteristics of the famille rose paintings;fourth and fifth chapters is the artistic analysis of the godson pattern,summarize and sort out the types of objects decorated by the godson pattern.,deeply analyzes the artistic expressions,and summarizes the artistic features and historic culture connotations of the godson pattern.The conclusion part,through the in-depth study of the artistic characteristics and cultural connotation of the famille rose godson figure in Yongzheng period,this paper summarizes the development context,carrier form and subject matter classification of the godson figure,and points out the reference significance of the Yongzhen famille rose godson figure to the modern times.