1913-1966 Chinese Film Poster Graphical--Research On The Theme Of "Revolution"

From 1913 to 1966,it experienced a tremendous change in the social form of China.During this period,the film was gradually transformed from an "Western Shadow Theater"originally considered to be a juggling nature into an important part of the citizen culture and affected the society to some extent.Cultural thoughts and visual center cultural processes,and movie posters as a film "advertising" came into being.With a variety of creative styles,profound national characteristics and visually striking graphic forms,it became a unique art.This article takes the birth and growth of Chinese modern movie posters as the background,with Chinese film posters with the symbol of "revolution" from 1913 to 1966 as the classics,with psychology of perception as the latitude,and the characters of the characters with the&eme of "revolution" in the " Role-playing in the revolution,gender entanglement in the "choice",the intertwined identity in the "network",the overall visual impression of the formal factors of the "revolutionary" theme,the partial cultural symbols,the message communication,and " In the cultural field of the revolution,the"revolutionary" position and the "revolutionary" scene are presented.With the classic revolutionary movie poster as a point,the poster creators of the revolutionary symbols are explored in a specific historical context.Its intrinsic relationship with film narrative.This paper explores the understanding of the connotation of revolutionism in the film posters at the time by studying the creative connotation and expression of the characters in the modern movie posters in terms of character portraying,composition,color shading,decoration(shape)composition,background field and so on.Considerations,summed up the theme of how China's modern times rely on visual art to convey the revolutionary spirit.This paper also proposes an in-depth analysis of the elements of the revolutionary complex in the posters based on the psychology of Gestalt.This research also provides a reference for the formation and evolution of the revolutionary image creation in the history of Chinese film posters.