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Discuss On The Factor Of Clarinet Intonation Deviations And How To Correct

Posted on:2020-06-21Degree:MasterType:Thesis
Country:ChinaCandidate:Y B SunFull Text:PDF
GTID:2415330578980560Subject:Music
Abstract/Summary:PDF Full Text Request
The problem of intonation is always a problem in clarinet.According to historical records,Johann Stamitz first used the clarinet in his Mannheim symphony orchestra in the 1750s.before his death,Johann Stamitz wrote a concerto for the clarinet,but at that time the bb/f2 notes on the clarinet was so inaccurate that it troubled the composer and the player.After many years of development,clarinet instrument gradually mature,this problem is basically solved.At the same time,with the efforts of many famous manufactures,the ckarinet has also developed from the original three or four keys to the present seventeen,eighteen and nineteen keys,which enables us to calmly face the difficult fragments and technical fragments that need rapid operation.So clarinet came out from the day there are a lot of intonation problems,I’ll just above the modern clarinet boehm type problems in one by one,this thesis,by way of consultation and interviews with experts,understand the musical instrumens in the intonation problem technically difficult to break through the bottleneck,and tried to find the right solution in the actual playing.In the last chapter of this article,I will also focus on the practical application of this method fragments of the first movement of Eugene Bozza’s clarinet concerto in the graduation concert.
Keywords/Search Tags:Clarinet fingering, clarinet intonation, sound hole size, tube taper, Eugene Bozza clarinet concerto
PDF Full Text Request
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