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On The Freehand Brushwork Of Chinese Expressionism

Posted on:2018-04-13Degree:MasterType:Thesis
Country:ChinaCandidate:F DongFull Text:PDF
GTID:2415330578982046Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
To the promotion of the localization of oil painting,is an age-old topic,how to painting the foreign painting type,takes root in the land of the east and grow their own fruit,is traditionally the Chinese oil painters are trying to strive to achieve a goal.The expressionist painting free exploration is just what the Chinese painter of one direction,expressionist paintings produced in the end of the 19 th century,the early twentieth century.Belongs to a genre of modern art,its art characteristic is:stress to express the artist's subjective emotion and feeling,and form the objective describe object deformation and meaningful choice of modelling language tend to a way of creation.In the produce of Nietzsche,the cultural connotation behind the "Dionysian spirit" Freud's "theory of the subconscious" Bergson's "intuition",etc.The influence of irrational philosophy.Oil painting was introduced into China,expressionist painting had on the glory,but due to the political propaganda is not practical,not into the mainstream.However expressionist paintings on creation method and the spiritual connotation from the traditional Chinese literati xieyi painting has the same point,traditional freehand brushwork in traditional Chinese painting in the writing the author emphasizes on personal feelings,character,and emphasized on the shape is not like,like,emphasized on the pen and ink language from pen caocao.And expressionist painting creation way has a point of contact.Its cultural connotation way of thinking is also a heavy Epiphany,is an abstract word zen philosophy,and the philosophy behind the expressionistic framework support are irrational philosophy.Because of the same point,expressionist painting never interrupt the development in China,from the early Wu Dayu,liu haisu to master wu guanzhong,in to the lesser,Wang Keju,emerged a large number of creative process with the tendency of expressionism painter.Expressionism oil painting in the development of China's growing,emerged a large number of fine arts.Expressionism oil painting in the artist's hand and is not a simple copy,but from the technique or has carried on the exploration of disconnection from the picture meaning.Expressionismoil painting in China as well as Buddhism in the native culture of the east into the blend of zen,has been gradually have their own local features,their image is a modern art in the form of novel,also has the traditional freehand brushwork in traditional Chinese cultural connotation of the expressionist painter in traditional freehand brushwork and merge Chinese oil painting localization is to provide and develop in a direction.This article from the detailed analysis and discusses five parts,the first part mainly elaborates the development of traditional expressionism and freehand brushwork in traditional Chinese context and style.The second part mainly expressionism and traditional brushwork convergence and combining site.The third part mainly through specific examples to demonstrate this paper aims at the center of the thought,through overseas artists and domestic painter of expressionism oil painting and traditional freehand brushwork spirit combined with the creation of the analysis and research.The fourth part of the case analysis summarizes the fifth part puts forward conclusion proposals and thinking.
Keywords/Search Tags:expressionist, eastern and western painting, freehand brushwork in traditional Chinese painting, Comparison between east and west painting
PDF Full Text Request
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