A Study On The Narrative Characteristics Of Patrick Kong's Films

Ye Nianchen's is representative of a new generation of Hong Kong director,born screenwriter,won the Golden Horse Award for best original screenplay,began making love movie 10,took dozens of love movie,the love trilogy and marriage trilogy harvest a lot of from,his movies are best known as described in the dark love,also his film on the narrative features have many places worthy of our study: his story on short time detailed anatomy,film for the ultimate small space utilization.From the perspective of different roles in the film,the combination of their views to form a complete story.The shadow of a role of the viewpoint,to create suspense way.And at the end of the movie.The movie characters or character inversion,this plays the ingenuity,to the audience leave thinking.2015 network video user nearly 5 million,the movie network users more than half,the network movie industry because of the influx of funds,this year has come to outbreak,become domestic on cinema movie channel,a lot of new creative director of platform.The characteristics of the network big film requires that the film in the creation of the story itself,save shooting funds,compression shooting cycle.Many of the characteristics of Patrick Kong film is very much in line with the requirements of the large film network,you can give us a lot of reference.This paper consists of five parts,namely the introduction,five chapters of text,conclusion,references and postscript.The following will do a summary of the general content of each chapter.Introduction: the combination of narrative,ye Nianchen's director,network movie account of research background;from theory and practice two levels explain the research significance;narratology,narrative film,ye Nianchen's film,the big movie network of domestic and foreign research status;and this thesis research methods.Chapter one: an overview of Patrick Kong's films,focusing on the six films of the trilogy of love and marriage,as well as the two films.The second chapter: from the narrative point of view of time and space analysis of Patrick Kong's short story of the narrative,as well as the little and very little space to show.The third chapter: summary and analysis of the use of Patrick Kong's films.The fourth chapter: Analysis on the role reversal in the Patrick Kong film plays.The fifth chapter: Patrick Kong's these characteristics for the network big movie in time and space,the angle of view as well as the narrative skill to draw lessons from the function.