From Transboundary To Fusion

In all ages,the engraving occupies an important and special position in the art form with its own unique charm.As a traditional and modern art form,the engraving is bound to break through its own limit and pursue development in the limit.Whether it is the choice for creative materials or the utilization of pattern of manifestation,it should be in line with the development of the world art and move towards the development path of diversity,gradually realizing the transboundary and fusion of the engraving and expanding the art language of the engraving.Nowadays,contemporary arts are not simply exuding their own charm within the scope of their subject areas respectively,instead,various disciplines gradually emerge transboundary and blending trend and art language as well as pattern of manifestation have become rich and diverse.Focusing on the three-dimensional pattern of manifestation of the engraving art,this paper analyzes and studies different forms of art works,and elaborates on the expansion of language form of the engraving and the application of the engraving art in three-dimensional spatial form in detail.The emphasis of this paper is the presentation of the “moulage” of the engraving in three-dimensional space and the multi-dimensional pattern of manifestation from different perspectives.In addition to that,it explores and studies the creative forms of the engraving art to seek a variety of possible art forms for creating engravings so that the art language and concept can be extended to provide richer and more possibilities for creation of engravings.This paper is divided into four chapters.The introduction part of the first chapter analyzes the background,contents of purposes,and current status.The second chapter mainly concentrates on the transboundary methods of the engraving art from two-dimension to three-dimension and exploration of the diversification of the art forms.The third chapter is the chapter that needs to be explained and analyzed especially inthis paper,which can be divided into three parts.The first part is the exploration and development of the language form of the engraving,and,combined with cases of engraving works,it elaborates and analyzes the three parts of the moulage language,media materials and the form of display;the second part is the methods and application of the engraving art in three-dimensional form;the third part is the significance and value of the research.The fourth chapter is the conclusion of the topic selection of the paper and the author’s thinking on engravings and on the follow-up researches.