The Ambiguity Of Long Shots In Documentary Creation Composition Study

In the creation of documentaries,long shots are one of the ways to restore materials.The ambiguity of the long lens is a unique attribute of the long lens itself,and it is also a component of the unique artistic charm of the documentary creation scene.Based on the composition of long-lens polysemy in documentary creation,this thesis studies the long-sense polysemy formation and its value from the perspective of lens distance,time and space unity and psychological perception.The paper mainly analyzes the ambiguity of long shots from three levels.First,it analyzes the distance principle of long shots in documentary creation from the physical distance and psychological distance of the lens.Secondly,it is from the two aspects of time space and space time.To study the space-time unity within the long lens;the third is based on the characteristics of long-range distance and space-time,based on the psychological perception inside the long lens,to carry out the ambiguity study of the psychological level.In the specific argumentation,this article combines the classic documentary image and the editorial explanation of the documentary when he participated in the creation of the documentary,analyzes the formation factors of long-lens polysemousness,and expounds that the long film in the documentary "has no sound at this time,sometimes wins no time" Unique artistic charm,put forward the lens and on-site processing methods and personal thinking in the actual filming of the documentary.