Expressing The Boneless And Lines Painting In Freehand Of Chinese Figure Painting

Quintessence and essence of Chinese painting is our China, is China’s unique culture and art. Freehand brushwork figure painting plays an important position in traditional Chinese painting, another is quite important role, that is the expression of line. So, no bones in traditional Chinese painting the disconnection and line has its own unique style and artistic characteristics. Thus, formed the xieyi painting Chinese painting unique humanities view and line emotional view, we analysis of the traditional Chinese freehand brushwork figure painting to make objective and cognition, development and innovation concept, combined with modern freehand brushwork figure painting, promote and develop Chinese freehand brushwork figure painting. In the development of modern and contemporary Chinese freehand brushwork figure painting,which requires our own line based on the comparison and research of language, and then make national art can have more modernity and spirit in Chinese traditional cultural art. No bones in the face and line in the traditional Chinese painting language expression of form has a very important role for us, and its unique language form, we would do well to grab it and use it can bring unexpected harvest to writer itself and effect.My creation mainly freehand brushwork in traditional Chinese characters,mainly to show what the real problem and express feelings and the lifeand feelings of life. This series of character creation is my description in Tibet and the character of art, I had seen me from their true portraiture of life as well as my own understanding, creation is for the local people and show the characteristics of The Times, ink figure as a visual art with pen and ink techniques, the technique and concept of tool material as the main means of expression, further performance brushwork, ink presentation,the characteristics of the water.