Decorations And Abstract

The Islamic visual art represented by Islamic ornamentation has not been effectively promoted and developed in the whole development process from the beginning to today,and it seems to have lost its due role in today's environment.Visual discovery is very relevant in today's changing environment.Art is a means of expression for human beings,while visual discovery is an indispensable link with the effectiveness of art in a sense.In a sense,this stylized problem caused by Islamic ornamentation is like a slice of Islamic aesthetics.Islamic aesthetics actually did not have the concept of aesthetics in Islamic classics,and developed Islamic aesthetics through studying and absorbing ancient Greek philosophy and aesthetics.However,it has not been promoted since the emergence of medieval Islamic aesthetics,and few scholars have absorbed nutrition to promote the modern transformation of Islamic aesthetics.The introduction of the first chapter is mainly to clarify the issues and significance to be discussed in this paper,as well as an overview of research in related fields.The second chapter introduces the research background of this paper to clarify the context and scope of this research,and puts forward the relationship between visual discovery and the times.Also today,the problems faced by Islamic ornamentation are urgent under this background.In the third chapter,the abstract painting and Islamic decorative design are analyzed separately,mainly to analyze their formation reasons,development context and basis,and also to compare the Islamic decorative design with the abstract painting to find out the possibility of trying to establish a connection between the two.The fourth chapter is to find the history of the construction and development of Islamic aesthetics in the aesthetic category,and the reason why western aesthetics is turning to modernity,and to find a reasonable angle for Islamic aesthetics to turn to modernity.The fifth chapter makes a summary and analyzes his current creation and problems.As a Muslim and an art creator,the author is deeply concerned about the urgency of the fracture between his environment and Islamic culture today.The purpose of this study is to find rationality in the visual discovery so that Islamic art represented by Islamic ornamentation can regain its vitality and play its role in today's modernity and globalization.The author is also engaged in painting creation.This article is also closely related to the author's creation,that is,by finding the possibility between Islamic ornamentation and abstract painting to ask questions,from the visual discovery to the transformation of aesthetic modernity,to find the reasonable possibility in Islamic aesthetics and classics so that the two can be mutually nourishing.