Research On The Rheology Of "Cao Kun" In Jianghuai Since Ming And Qing Dynasty

Across China drama essence is the folk culture and art,so also is the father of acrobatics of kunqu opera,it comes from the citizens of ordinary farmers folk tunes,but special is that kunqu opera later after the hand of the literati,through multiple elegance,facilitate other opera large development way is very different,so its development development has close contact with literati.At the beginning of the Ming dynasty,kunshan tune composed mainly of folk tunes came into being in the area of kunshan and became one of the four major vocal tunes in the Ming dynasty.At first,these tunes had a strong sense of civic identity and did not form a performance norm.Due to the economic development and prosperity of jianghuai region in the Ming and qing dynasties,scholars and celebrities gathered here.Some scholars put their spiritual pursuit into the improvement and creation of kunqu opera.Together with famous prostitutes of jianghuai river,they built the prosperity of kunqu opera and laid the foundation for the elegance and charm of the style of kunqu opera.However,the early kunqu opera is still from the folk tunes,no matter how the literati and local famous prostitutes in the direction of refinement in the promotion,it is always unable to get rid of the folk marks,in the development of development or obliteration of its inherent,rich civic characteristics.Compared with noble red woollen blanket on kunqu opera capella,popular between farmers and citizens to meet the needs of their own class of "grass" theater,choice of them from the role play,play,spoke all aspects such as language and literati and kunqu opera,especially the middle and later periods of the qing dynasty,with the lifting of the cadastral system prompted more captive by the literati class kunqu artists living folk,but also promoted the elder brother is with the fusion of folk "grass",and at the same time,in the historical changes of rivers,disappear as the literati class,is he growing environment has been gradually declining to scatter folk completely.At this point,folk artists and literati jointly entered the folk environment on which folk opera really depended,and wrote the history of kunqu opera as a mass art after the late qing dynasty and the early republic of China.Unfortunately,with the disappearance of the background of small-scale peasant economy and culture,the relative weakening of folk customs and festival activities,and the strong impact of western music,the "grass garden" has lost its popular concept today and follows the general development law of folk art: grass creation--prosperity--decline.Today,the academic field cannot determine the success or failure of a certain folk culture and art,but it is the bounden duty of the field to carry out academic research on it.While most of the academic research focuses on the research level of ya-zheng kunqu opera,it is a new perspective to pay attention to the true changes of folk culture.