Spatial Narrative Research On Garden Paintings In Ming And Qing

The The history of Chinese art has a long history,and Chinese traditional paintings also play a pivotal role in the history of Chinese art.To trace the ancient Chinese painting space narrative mechanism,we can only study the historical paintings and related literature materials that have been passed down in history.The purpose is to use these historical materials to restore and explore human historical civilization,inheriting the traditional At the same time promote the development of contemporary human civilization.This paper intends to interpret Ming and Qing garden paintings with spatial narrative theory.Chinese garden painting as a kind of Chinese landscape painting,space narratology is also an important branch of the narration empire.If you want to carry out research,you will naturally get involved in the fields of spatial narratology and garden painting.Therefore,this topic has also adopted the idea of “discriminating” in the content of the previous research.This thesis firstly seeks the corresponding theoretical care and source of thought from the narratology and landscape painting theory,and then focuses on the intersection of spatial narratology and garden painting;once again focuses on the spatial expression of garden painting in the Ming and Qing Dynasties,the expression of traditional ideas,and the picture.The organization language,the whole image structure layout and its symbolic meaning and other aspects of the "narrative space" research.The first chapter of this paper is the introduction.The second chapter introduces the reproduction and performance of Chinese landscape paintings.Based on the development and changes of Chinese landscape paintings,it introduces the subjective and objective performances related to the garden painting narrative,as well as the reasons for the emergence,as well as the realism and The influence of freehand garden painting on spatial narrative;the third chapter and the fourth chapter respectively discuss the performance of realistic and freehand(reproduction and representation)in the spatial narrative of garden painting,such as the splicing,deformation and decontextualization of images.Ambiguity,as well as the specific solution to the garden painting narrative,the relationship between the text and the loan;the final is the summary.In short,the analysis of the "space narrative" of garden painting in the Ming and Qing Dynasties based on the theory of narratology is the concrete application of the cross-media study of narratological theory.It provides a good theoretical basis for inheriting the spatial layout and narrative line of traditional painting.The practical significance.