Research On Observe And Intervene:from Objective Truth To Subjective Truth

After nearly a century of development,the documentary has a relatively complete aesthetic paradigm,and has constructed an aesthetic concept with characteristics of The Times in different periods.In the 1960 s,with the innovation of equipment and the transformation of documentary style,"direct film" and "truth film" came into being.Up to now,these two aesthetic concepts are still guiding the documentary creation practice as the theoretical foundation,which is worth studying and drawing lessons from.Since the development of documentaries,there have been several fierce exchanges on the acquisition of "truth" based on the basic principle of "truth".The "non-intervention,unplanned and unpuzzled" spectator mode is more inclined to documentary realism,while the "stimulating-intervention" intervention mode puts aesthetic connotation into the main consideration range.This study theory to guide practice,gain experience from practice,thinking caused by experience,analysis of their participation in creation of documentary series "ethereal village",set "on the sidelines and participation," the creation of the idea,pay attention to the diversity and universality of the study image,analysis record images by reproduced true to show the development of the real evolution process,and through this documentary creation skill and technique of expression analysis the trend of "real" kernel.The continuous exploration of "truth" has triggered the continuous innovation of documentary aesthetic paradigm.The analysis of documentary creation techniques is conducive to the exploration of documentary subject selection and the enrichment of its ideology,and provides active reference for the value orientation of documentary,the behavioral mechanism of photography,and the conception and selection of modules.