The Difference Of The Role Shaping Of Oriental And Western Women In Chinese Opera

Opera "Turandot" and "Zan Yuen" as the classic representative of Chinese and foreign opera,its cultural background,creative style,character shaping characteristics and other aspects have very different characteristics.It is worth noting that the Western opera "Turandot" heroine Chinese princess "Turandot",and the National Opera "the original" Heroine Bossy special Girl "Narenkova" is the east and West different vision,cultural background,aesthetic form under the formation of different images of oriental women.The purpose of this paper is to explore the deeper connotation of national culture,to study the influence and unique charm of opera in the opposites and unification of "Turandot" and "Narenkova" in Chinese and western operas by studying the roles of the two Oriental women who are rich in their respective characteristics.It also reflects on the development mode and innovative way of Chinese opera under the condition of the new era.The article is divided into the following sections:The first part discusses the origin of Western Opera,the origin and development of Chinese opera,and through the collation and analysis of the current situation of relevant opera research at home and abroad,puts forward the reasons and research methods of the topic selection.The second part,we did research to the Chinese National Opera "Zan Yuen" and the Western Opera "Turandot" Creation background,the story sketch,the "Narenkova" and "Turandot" image shaping characteristics of a comparative study.It lays a theoretical foundation for the study of the difference of the role shaping of oriental women in different Chinese and western operas.The third part is the core exposition part of the thesis.This paper studies the characteristics of the image construction of "Narenkova" and "Turandot" in the aspects of the cultural background,the difference of creative techniques and the contrast of the theme motivation of the Western Opera creation,and concludes that the image of "Turandot" and the image of the real Oriental woman created by Westerners are biased and the cultural misreading,Their works of art permeate the Western music culture value system based on the cultural hegemonism thought;On the basis of the Western Opera creation mode and composing technique,Chinese opera has joined the aesthetic concepts of Chinese traditional opera,such as "Middle and" and "freehand",so that the image of "Narenkova" has the characteristics of nationalization and freehand,it's the image of a real female hero.In order to further discuss the shaping differences between Chinese and Western women's roles,from the representative aria Narenkova song "Love Song" and Tulane Song "The Palace Out" as the starting point,discusses the different morphological characteristics and aesthetic characteristics of artistic expression,and strengthens the argument of the point of view.The forth part summarizes the differences in the construction of Oriental women's images in the two operas,and puts forward the viewpoint that the roots of artistic differences come from cultural differences,thus triggered in today's multi-musical value of the status quo,China's national Opera should be how to achieve national,contemporary,ideological reflection.