A Study Of The Poetic Aesthetics Of Andre Takowski's Films

In the movie "Road roller and violin",as the door of music classroom slowly opens,the figure in the picture is not only the little boy Sasha who is full of innocence and childlike interest in the film.It's more like a foretell,a foretell: after sergei eisenstein,another great Soviet director "Andrei Takovsky" officially entered the world film history stage.The so-called "image" refers to the image produced by the physical reflection of light,for which Takovsky is not only a director,but also an active light and shadow poet on the screen.As the son of a poet,his film language naturally flows with his poetic aesthetic characteristics.He firmly believes that "poetry" is the closest literary form to the language of film.Because poets often have the imagination and mental state of children,no matter how profound his thinking of the world is,his impression of the world is direct.It is this "direct impression" that makes poetry as direct and moving a record of life as the films of its birth.In Takovsky's photographic works,"time","memory" and "dream" are eternal themes.Tower is also through the real record of these three themes,completed the sculpture of time,and show its full of poetic beauty image style and artistic claims.The first chapter is the introduction,which mainly explains the research background,significance,research status at home and abroad,research methods and so on.The second chapter mainly summarizes Andre Takowski's "Poetic Aesthetics Film View" from "Poetic Aesthetics","Poetic Logic" and "Poetic Theme".The third chapter mainly analyses the poetic aesthetics of tower movies from "audio-visual language","scene scheduling and film actors","non-linear narrative logic" and "metaphorical film details".Chapter ? is mainly based on the three levels of "aesthetics","religion" and "philosophy" to sublimate the poetic aesthetics of Tarst's films.The fifth chapter mainly discusses the formation of Takovsky's film poetic aesthetics from the growth experience,Eastern and Western aesthetics as well as philosophy,the transformation of world films,and the domestic cultural system of the former Soviet Union.Chapter 6 mainly discusses the inheritance and development of tower film poetic aesthetics at present,and what significance it has for the development of domestic movies at present.