The Necessity Of The Metaphysics Of Wei And Jin Dynasties And The Rise Of Landscape Painting

During the Wei and Jin Dynasties,a new philosophical trend of thought with Lao Tzu,Zhuangzi and Yi as its main research contents was produced,which was used to maintain the social life and order at that time,and the new doctrine of "metaphysics" in which the nobles and their intellectuals stood up and acted.The most fundamental reason is the social unrest at that time.Confucianism,which was used to maintain centralization,lost its role in this form.It is urgent to re-prove the moral principles of social life in a new way.With frequent wars and struggles within the ruling class,people are uncertain about their lives.Upper class members of society,wandering,indulging in pleasure,enjoying happiness,living and dying drunkenly,while some celebrities forget the world,are free and self-sufficient,and live quietly.Metaphysics has become the philosophy of life of metaphysicians and nobles under specific conditions.In a special era,special groups are bred,such as "seven virtuous bamboo groves" and Zong Bing.Most of them are complex painters and thinkers.Their natural thoughts of mountains and rivers were influenced by the metaphysics of natural awakening and personality independence throughout the Wei and Jin Dynasties.It is precisely because of the infiltration of Zhuangxue in metaphysics into the life of scholars in Wei and Jin Dynasties that,apart from the figure painting itself as a painter's aesthetic appreciation and widely used as the subject matter of creation,the beauty of nature has gradually become the object of scholars' aesthetic appreciation of human relations.Only when people turn to nature,can the landscape painting become independent and developed.