Research On Marriage Relationship In Chinese Films In Recent 30 Years

The divorce rate in China has continued to increase for more than ten years,and the marriage rate is also declining year by year,especially in the first-tier cities.The single population in China has exceeded 200 million people,the proportion of men and women is unbalanced,the phenomenon of late marriage is serious,and the desire of young people to breed is not strong.The marriage relationship between modern families and the concept of marriage and love of modern people are changing with each other.In this period,the art of film in China has also developed rapidly.The box office keeps refreshing records.The film creation from theme to content,form to style From art to technology,it has changed with the ever-changing times.As a film of culture,art and communication,it also profoundly records and reproduces the changes of Chinese society in this short period of decades,and it also carries a generation of The spiritual sustenance and cultural aspiration of a generation.This paper attempts to see the film creation of marriage and love from the perspective of film and television art,and sees its love,marriage,moral ethics and love and marriage orientation in people's daily life,and can also provide new ideas and methods for studying national culture psychology.This paper adopts text analysis,framework analysis,content research and case analysis to study the marriage relationship in Chinese film works in the past 30 years.Through the exploration of marriage relations in film works,it is a complicated marriage in real life.The understanding of the relationship with the figurative,through the combing and analysis of the different forms of marriage in different periods of the film works,so as to guide the behavior and inspiration of the social people in the actual marriage relationship.At the same time,the fourth chapter of this paper also compares the divorce rate,the report on marriage and love,and related policies in real life in recent years,in order to prove the concept of marriage and love and marriage in the film works.In the past 30 years,the creation of marriage and love movies has experienced three periods: breaking through the historical period,challenging the pursuit of self,the pluralism and returning to rationality.At present,Chinese marriage and family are facing many irreconcilable contradictions,resulting in widespread divorce.A large number of rural populations have taken root in cities,separated from each other,extramarital affairs,derailment,domestic violence,misconduct,rising housing prices,policy changes,social transformation,multicultural conflicts,and increased pressure on life have all become the cause of divorce.The rise of postmodernism,the acceleration of urbanization,and the infiltration of Western culture are also subtly affecting the next generation of young people.The commercial attributes of film works in the early days of expressing love and marriage in China are weak,and the political guiding factors are more common.Therefore,following the traditional moral ethics is the theme of the film.The small people in the grand background actively build a new era,combining individual marriage with the fate of the family.In the past 30 years,the expression of marriage and love and the interpretation of marriage in Chinese film works are also rich,showing the tendency of secularization,commercialization and anti-tradition.There is still a certain gap between the marriage and love in the film works and the actual marriage and love life.The romantic treatment of the love idealism and the exaggeration and enlargement of the trampling ethics are also prominent.Of course,some of the film works of marriage and love are well-made.On the one hand,they express the longing and eulogy of ordinary people,the rational cognition of short and trivial life in parents,and on the other hand,they also show the dilemma of many real marriages.Helplessness and the pain of depression in the life of marriage,facing reality and humanity.In recent years,some works have continued the style of youthful love movies,showing the trend of modelized routines,and the creation of love movies has entered a bottleneck.But at the same time,there are also a number of feminist films that have emerged.These films show the emotional entanglements of small people and small families in the new era in the new era of socialism.In the real dilemma of middle-aged crisis and extramarital affairs,it is a new round of competition between traditional ethics and modern consumer culture.Fortunately,the youth groups in modern real life are not as presented in the film works.Young people in different regions have a more mature view of marriage and love.Emotional factors and moral responsibility are the highest criteria for them to choose and maintain their relationship.In contrast,the creation of marriage and love movies has also seen a multi-integration and return to the rational side.