On The Innovative Techniques Of Peking Opera Elements In Chinese Piano Solos

Beijing Opera,as a treasure of Chinese traditional art,has irreplaceable value to Chinese music,culture and art,but this generation represents the treasure of Chinese traditional culture and art.In the course of development,it is gradually weakening.After the reform and opening up,China ushered in a diversified era,the diversification of economic and cultural development,let us see more possibilities for the development of elements of Peking Opera.Nowadays,China is implementing the policy of going abroad and into the world.It is not only economic but also very important for China to go out of its own culture.In order to develop and spread the world,Chinese traditional Peking Opera art needs not only to retain its original artistic style,but also to innovate and develop with the diversified artistic expression methods of the world,so that it can be more recognized and loved by the domestic and foreign public.This paper chooses two piano solos of Chinese Peking Opera elements created in the pluralistic period of China,which are representative of the times and have cultural characteristics at the same time,as the research object.Through the analysis of the creative characteristics,playing techniques and innovative techniques of the two Chinese piano solos,this paper studies and discusses the cultural characteristics of Peking Opera music and Western piano music in Chinese operas.Fusion.It is believed that the innovative way of "foreign for Chinese use" and "integration of China and the West" in Chinese Peking Opera Elemental Piano Solo is the new direction and way of innovation and dissemination of Chinese national music.