Transition-the Way To Look At Landscape Paintings

Landscape painting is a unique theme in landscape painting.Since Wang Wei's Wanchuan Picture in Tang Dynasty,it has formed a real sense of landscape painting.From the existing landscape painting works,we can see that landscape painting has gradually changed from the pursuit of immortal life to the depiction of secular people.Landscape painting is based on the rich spiritual world of the painter,and has gradually become a painter.A means of expressing one's mood.There are many ways to create landscape paintings,including realistic gardens,the combination of reality and reality,and the creation of gardens divorced from reality,which combines the real landscape and the author's subjective feelings.Therefore,the creative mode of landscape painting will bring different feelings to the viewers.This paper summarizes several different viewing methods from the perspective of "transit",combines with the analysis of the picture,and then through the study of the artistic expression of landscape painting,so as to better understand the artistic value of landscape painting.When we are in gardens,"where we live","what we look at","what we want to see","what we want to see","what we want to swim".The scenery before us is constantly changing.The "turning scenery" will also cause "turning mood".The mood will also produce different feelings.It is full of infinite possibilities to convey these real feelings to garden paintings.From the Ming Dynasty,we can see that a large number of garden paintings appeared.Gardens became their spiritual home.The emergence of garden paintings was actually a kind of emotional catharsis of literati at that time.They approached nature in another way and cared for and experienced external objects with their "heart of forest springs".Therefore,garden paintings can not be viewed as a landscape painting only,but also in the creation garden.The most important thing is the expression of mood and picture realm in Lin's painting process.The size of gardens is limited,but people's mood is infinite.How to get infinite imagination possibilities in the limited earthwork is closely related to our way of viewing.Landscape and people's mood are connected,which is the expression of mood.When viewing gardens,we should not only "view things by objects" but also "view things by heart".With the change of vision,people's mood also changes.This paper explores landscape painting in the way of "transit".In short,landscape painting is not only a painting subject,but also a painter's "landscape in his heart",which is a constantly changing and complex process.Exploring landscape painting in a new way of viewing is an indispensable means of research.