"Aestheticism", "Freedom" And "Romance"

The soul of poetry is mainly shown through the spiritual dimension.By comparing three spiritual dimensions of "aestheticism","freedom" and "romance" in the poems of Baudelaire and Shao Xunmei,the paper aims to analyze the historical and personal reasons why Shao Xunmei can't reach Baudelaire's height,thus reflecting on the relevant issues in the current poetry creation,in order to bring poetry researcher good ideas and improve their performance.The introduction mainly introduces the research status of Baudelaire and Shao Xunmei both in China and abroad,and explains the reasons for choosing the two to compare..Chapter one generalizes Baudelaire and Shao Xunmei's presentation of "aestheticism" in the art world,taking "elegance of inelegance" as the train of thought,taking "woman" image,"ugliness" color,and "ideal" subject as the main clue,analyzes the "aestheticism" dimension of their poetry spirit.Chapter two summarized Baudelaire and Shelley rendering of "freedom".The first section mainly summarizes the melancholy and rebellious spirit of the Baudelaire's poetry,the second section analyzes the free feelings and egoism in his poetry,and the third section analyzes the writing commonality between Baudelaire's and Shao Xunmei's poems------the concept of pure poetry,using "pure" core on expressing and creation of the true meaning of "freedom".Chapter three mainly discusses their presentation of "romance" in their poems.This part takes romance as the key word,focuses on the theory of correspondence,and reveals the "romantic" dimension of the poets' poetic spirit by comparing their self-pursuit.This paper takes social history research method,text reading method and comparative analysis method as the main research methods,and focuses on the threekeywords of "aestheticism","freedom" and "romance".Under the direction of "aestheticism" dimension,Baudelaire turns ugliness into beauty,and Shao Xunmei's elegance is out of inelegance.In the pursuit of “freedom” dimension,Baudelaire's rebellious spirit reaches a climax,Shao Xunmei sticks strongly to his own heart under the tide of old and new;In the coordinates of the “romantic” dimension,Baudelaire feels the mysterious correspondence between the natural things and human beings,while Shao Xunmei feels the tacit combination of sentence and emotion.For historical and personal reasons,Shao Xunmei's poetic talent is not as good as Baudelaire's,but his love and contribution to culture is still a highlight of literary history.