Female Consciousness And Identity Of Female Characters In Palace Fighting Dramas

Feminism is an important concept of feminism.With the vigorous development of Western feminist movement and the introduction and dissemination of feminist theory,"feminism" has begun to take root in the field of cultural dissemination in China.In recent years,dramas with female consciousness have become more and more active on the TV screen.Many writers have applied feminist theory to the creation of palace fighting drama.The persistent high ratings of palace fighting drama over the past decade indicate its strong market share.At present,most of the academic research on palace fighting drama is from the feminist aesthetic vision and female aesthetic aspects,but there are few studies on female consciousness and identity in palace fighting drama.Gong Dou Opera is not only the epitome of traditional Confucian women,but also the reflection of women with independent consciousness.It occupies an important position in the existing film and television culture dissemination.It has high ratings on the screen for many years,so it is necessary to study it.In this paper,through in-depth study of the performance of female consciousness and identity in palace fighting drama,and around this aspect of content,summed up some problems in the development process of palace fighting drama,the reasons for these problems in the construction of female identity in palace fighting drama and the way out to solve these problems.This paper is divided into five parts,including the introduction,three chapters and the conclusion.The introduction is divided into three parts,the first part is to introduce the research background and significance;the second part is to sort out and define the basic concepts,including the palace fighting drama,female consciousness,identity;the third part is literature review.The first chapter introduces the development of palace fighting drama and the image types of female roles.The first part combs the development process of palace fighting drama;the second part analyses the image types of female roles in palace fighting drama.This part combs the characteristics of female images,showing the overall characteristics of female roles in palace fighting drama.The second chapter describes the female consciousness and identity of female characters in palace fighting drama.The first part summarizes the performance of women's role consciousness in the palace fighting drama.It introduces women's subjective status,women's pursuit of self-development and equality between men and women.It shows the strong female consciousness of women's role in the palace fighting drama.The second part summarizes the performance of women's role identity in the palace fighting drama,from women's self-identity and social identity.It summarizes the three aspects of cultural identity,showing the confusion,anxiety and struggle of women in the rear court in their struggle against male chauvinism and their understanding of their self-identity.The third chapter describes the problems,ways out and causes of the formation of women's consciousness in palace fighting drama,reveals the reasons for the degeneration and lack of women's consciousness and the way out in the future from the aspects of audience,director,patriarchal culture,female symbols,market capital and so on.The conclusion part summarizes the whole article and refines the viewpoints.Women's consciousness of female roles in palace warfare plays is developing.They are no longer just appendages under the patriarchal society.They have a strong subject status,pursue self-development and pursue equality between men and women.They have their own persistent persistence in their identity,love and power status,and show strong self-identity,social identity and cultural identity.Women's consciousness,however,is also missing in the era of palace fighting drama,which is closely related to politics,economy and culture.