Study On Taoist Temple Coloured Sculpture Aet In Song Dynasty Of Shanxi Province

Throughout the history of Chinese sculpture,while inheriting the high-level artistic techniques of the Tang Dynasty,the Song Dynasty sculpture gradually shows the characteristics of development towards secularization.Although it lacks the grand spirit of the Tang Dynasty sculpture,it shows a unique and diversified aesthetic taste.This article takes Shanxi as the research area,takes the Song Dynasty and the Jin and Liao Dynasties as the time limit,takes the coloured sculptures of Buddhist temples,Taoist temples and folk shrines(hereinafter referred to as temples)as the research object,and chooses typical examples of the coloured sculptures of temples and temples for analysis by means of on-the-spot investigation,literature analysis,image research and comparative analysis,so as to expect to be able to analyze Shanxi.The artistic characteristics and aesthetic ideas of the temple painted sculptures in Song Dynasty are deeply explored and studied.The full text is divided into four parts: the first part is the introduction of the remaining temple painted sculpture in shanxi song dynasty,including the typical cases of temple painted sculpture and the analysis of its making techniques.The second part analyzes the reasons for the formation of the characteristics of the temple art of painted plastic,and compares the temple coloured sculptue art of shanxi song dynasty with the temple art of shanxi tang dynasty.The third part is a summary of the artistic features and aesthetic thoughts of painted plastic temples in the song dynasty of Shanxi Province.The artistic features of painted plastic temples are specifically studied from the perspectives of space,shape and color,and the aesthetic thoughts are summarized from four aspects: the beauty of shape,the beauty of transience,the beauty of expression and the beauty of artistic conception.The fourth part discusses the artistic value and influence of shanxi temples and temples painted sculpture in song dynasty,as well as the profound inspiration and reference to my graduation creation.Painted sculpture by shanxi song dynasty temples and temples in the tang dynasty,shanxi sculpture.our comparison research,analysis of both same and different place,so as to more clearly understand the deep reason of painted sculpture art characteristics of thesong dynasty temples in shanxi formation,summed up as "neo-confucianism" thinking,"heavy text or wu" the literati under the breath and close to people under "mundane Buddhism" in artistic style.This paper analyzes the artistic features of the painted sculptures of temples in song dynasty of Shanxi Province from three perspectives of space,shape and color,and concludes the aesthetic thoughts of the painted sculptures of temples in song dynasty of Shanxi Province with the modeling beauty of "writing god in form",the instantaneous beauty of "dwelling in quietness",the expressive beauty of "getting the heart from the source" and the artistic conception beauty of "blending scenes".Thus reveals the shanxi song dynasty temple colored plastic sculpture in the Chinese art history important position and the value.