Study On The Object-chanting Poetry Of The Vietnam Pre Ruan Dynasty

As an important part of Chinese poetry,the object-chanting poetry has shown a very mature trend once it was introduced into Vietnam after the development and enrichment of literati in several dynasties and generations.According to the development process of the dynasties,the object-chanting poetry in Vietnam can be divided into two stages:the Chen dynasty and the Li dynasty.The object-chanting poetry in Chen dynasty are few in number,they took the natural scenery as the main theme and the poetry contains zen meaning.In Li dynasty,the creation of object-chanting poetry reached a flourishing state,and representative poets of object-chanting poetry appeared in this period.In terms of the theme of object-chanting poetry,Vietnam is far less rich than China in the theme of object-chanting poetry.Vietnamese poet singing from poetry show its all-round inheritance of Chinese culture,not only learn the art of Chinese poetry skills,object concept connotation,poetics,even quoted in the poetry of allusions,place names,names,custom comes from China,but this kind of inheritance pattern,also make the Vietnam singing from poetry appeared obvious trait of stereotyped writing and due to language barriers or lack of self-consciousness that poetry thought,logic confusion arose.While inheriting the Chinese culture,Vietnamese poets also showed obvious preference.Vietnamese poets preferred to use the seven rhymes and the Chinese classics in their poems,and Vietnamese poets’ preference for singing plum blossoms was quite consistent with the poets in the southern song dynasty.