The Inheritance And Development Of Object-Chanting Poetry In Wei-jin And The Southern And Northern Dynasties To Du Fu

The Object-Chanting Poetry is an important class in the field of ancient Chinese poetry. Wei-jin dynasties, Object-Chanting Poetry entered the developing stage with expressing minds through describing objects in appearing great quantities. Object-Chanting Poetry flourished in the northern and southern dynasties, emerging the first climax compared with the previous period in quantity and quality. Object-Chanting Poetry in Du Fu of Tang Dynasty got into a prosperous period through emotional connotation and diverse artistic techniques. Thesis will try out find the inheritance and development between Wei-jin and southern and northern dynasties Object-Chanting Poetry and Du Fu Object-Chanting Poetry.Preface Clear the scope and artistic techniques based on the definition of Object-Chanting Poetry.And analyze the overview of the origin of Object-Chanting Poetry, Wei-jin and southern and northern dynasties and Du Fu Object-Chanting Poetry.Chapter one The particularity of Wei-jin and southern and northern dynasties Object-Chanting Poetry Analyze chanting object, expression of meaning, wrting technique of Wei-jin and southern and northern dynasties Object-Chanting Poetry.Chanting objects mainly bird,horse,rain and snow; expression of meaning focus on telling the political truth in Wei-jin dynasties and having fun in the northern and southern dynasties;writing technique Bi Xing, focus on form but spirit,Fu Ti.Chapter two The inheritance of Object-Chanting Poetry in Wei-jin and the Southern and Northern Dynasties to Du Fu This chapter mainly discuss the inheritance of Object-Chanting Poetry in Wei-jin and the Southern and Northern Dynasties to Du Fu from three aspects:chanting object, expression of meaning, wrting technique. First of all, in the chanting objects, analyze Phoenix, the horse as the research objects, analysis of the inheritance of Du Fu Object-Chanting Poetry based on Wei-jin and the Southern and Northern Dynasties. Secondly, in the expression of meaning, mainly analyzing the political poems which reflects the philosophy of life, especially the generous and desolate justice of style of the Wei-jin Dynasties, showing Object-Chanting Poetry of Du Fu inherit the connotation based on the Wei-jin and the Southern and Northern Dynasties. Thirdly, in the writing techniques, Object-Chanting Poetry of Du Fu mainly inherit the creative skill of fine and smooth of Bi Xing of Wei-jin and the Southern and Northern Dynasties.Chapter three The development of Object-Chanting Poetry in Wei-jin and the Southern and Northern Dynasties to Du Fu This chapter mainly explore the the development of Object-Chanting Poetry in Wei-jin and the Southern and Northern Dynasties to Du Fu from three aspects:chanting object, expression of’connotation’, creative skill. First of all, in the chanting objects, chanting objects are extended ceaselessly and chanting objects of each period reflect the different characteristics of the time from Wei-jin and the Southern and Northern Dynasties to Du Fu. Secondly, in the different thoughts of expression of’connontation’, mainly in the Southern and Northern Dynasties description of romantic atmosphere and female humble and Du Fu chant the things to’love all the people and animals’, showing the social atmosphere of two dynasties. Thirdly, in the creative skills, describing objects is mainly to express minds in the Wei-jin Dynasties and to characterize exquisite images with humble meanings in the Southern and Northern Dynasties. But Du Fu,’the unity of form and spirit, be neither too familiar nor too distant’. In addition, also bring the discussion and narration into Object-Chanting Poetry.Chapter four Other discussions The Inheritance and Development in the volume, object, content, artistic skill of Object-Chanting Poetry in Wei-jin and the Southern and Northern Dynasties to Du Fu show the development of historical status of Object-Chanting Poetry in Wei-jin and the Southern and Northern Dynasties to Du Fu. It produced far-reaching effect on the later Object-Chanting Poetry and has historical significance of milepost type.