A New Comment On Luo Binji's Fictions

Luo Binji is a unique writer in the history of modern Chinese Literature.He wrote the changing times with exquisite and plain words and showed concern for the worldly wisdom and life in the meeting of time and soul.His fictions are based on common materials,with vivid themes and flexible narrative skills,which greatly improve the aesthetic space of the text.Luo Binji's fictions have a high evaluation in Japanese academic circles,but the domestic academic research on Luo Binji's fictions is very weak and Luo Binji's status in the history of literature is not high.This paper attempts to summarize the connotation and characteristics of Luo Binji's fictions,and find the consistent artistic characteristics of his fictions.Combined with the theory of narratology,the paper explores Luo Binji's narrative strategy and finds out the unique features of Luo Binji's fictions narrative.Finally,it explores the reasons why unique artistic style of Luo Binji and his excellent fictions fail to attract the attention of researchers,and makes a deep reflection on the status of Luo Binji's fictions in literary history.In the introduction part,through combing the general situation of Luo Binji's creation and the research situation of Luo Binji's fictions in the academic circle,we hope to find out the weak link and blank of Luo Binji's fictions research.Chapter 1,the connotation of Luo Binji's fictions is divided into three sections.The first section is to follow and surpass the major themes of the times.Although Luo Binji's fictions consciously follow the major themes of the times,the author's attention to the details and sophistication of life enriches the connotation of the fictions,and many of the contents surpass the themes of the times.The second section focuses on the life state of the lower characters,which is divided into two parts.First,Luo Binji criticizes the destruction of urban civilization on the vitality of the lower class through praising the life power of the lower class;Second,Luo Binji,through writing the mediocre life of the lower characters,presents their nihilisticspiritual state and explores the significance of the life existence of the lower characters.The third section is a deep reflection on the family history.Jiang Bu Wei's family history is a model of autobiographical family history fictions,and also a historical picture with the characteristics of the times and national color.The fiction combines autobiography with family history,showing the concern for the life of the times,regional features and individual life.Chapter 2,the unique narrative art is divided into three sections.The first section,flexible narrative perspective.According to different narrative needs,Luo Binji expressed his attention to the life of the times and individual life from the dual perspectives of the first person retrospective narrative and the flexible third person omniscient perspective.The second section,exquisite and unique narrative structure,Luo Binji's fictions has unique aesthetic effect and artistic charm by constructing narrative structures such as “scattered culture” structure,reverse sequence flashback structure and nested structure.The third section,the unique folk narrative,Luo Binji through the folk custom mold the character,constructs the story plot and the typical environment,displays the folk custom narrative charm,displays the writer to the folk custom thorough understanding and to the folk culture approval.Chapter 3,Luo Binji's reflection on the status of literary history of fictions is divided into three sections.The first section discusses the relationship between Luo Binji's fiction creation and modern literary tradition,and finds out the unique artistic style of Luo Binji's fictions.The second section,the research and Inspiration of Luo Binji's fictions in Japan.On the basis of grasping the study of Locke Binji's novels in the Japanese academic circle as a whole,the paper explores the main reasons why Luo Binji's novels have attracted attention in Japan,and think about the revelation of this phenomenon of overseas research to our discussion of Luo Binji's literary history status.The third section,Luo Binji's fictions and the writing mechanism of literary history,explores the limitations of Luo Binji's fictions and the influence of the writingmechanism of literary history on Luo Binji's status in literary history.