Theory Of Childhood Memories In The 1940 S Novel Creation

Northeast writer group most has the northeast region characteristic and exile nature writer groups, were initially reported over the country hates an enemy blood towards the new literature, customs clearance, walk out, they have the same passion and love hate, jointly write a northeast land all life. In the40’s, due to political and personal life emotion reason, some people rushed to Yanan, some people continue to exile, South to the Guilin, Hongkong. The present paper main elaboration is the exile of Guilin Hongkong this group of Northeastern Writers in their writing, creative began to turn inward, tend to personal feelings and life experience of writing. Perspective of children ’s memories of childhood novels is their forty years of creating the highest point to their creation, is a change of style and rich, representative works are Shaw red" Hulan River biography", the" first kiss", Duanmu Hongliang’s" early spring", Luo Binji’s" chaos". These works broke the traditional novel creation mode and the mainstream literature, Yanan literature and art of avoidance and rich. Writers in their own life experience as the foundation, to follow your heart genuine emotional experience, expression of another profound thought connotation, presents a fresh and unique aesthetic effect. This thesis is divided into three chapters, respectively, from creative motivation, narrative features, and aesthetic effect in three aspects to these children perspective novels of childhood memories are analyzed.The first chapter discusses the exile, Guilin and Hongkong northeast writer group’s creation,40’s childhood memories of fiction creation motive. The early childhood experiences and adult period of wandering life is their subject matter accumulation and the creation of the basic, nostalgia and wandering and the quest for attribution of consciousness is the writers’ creative motivation, in order for the beautiful childhood life and emotional memory beautification process, comfort his wandering tired and lonely, convey the search for spiritual paradise a strong sense of belonging. The second chapter,40’s childhood memories of the narrative pattern of childhood memories, novel is have the aid of children’s perspective, the use of first-person narrative, with children as the protagonist looking back, really reducing children’s view of the native state of human existence. To deeply reveal the adult world be accustomed to numb. A flavor aftertaste will lose artistic depth, children perspective novels themselves are not pure children’s narrative, therefore, in the text, often appear adult narrator voice, on children’s thinking and understanding cannot reach, intentional or unintentional emergence of adult sense and profound value judgment, thereby forming the child narrator and narrative interweaves adult supplement polyphony narrative mode. Northeast writers in the pursuit of profound at the same time, still maintained a children’s narrative mode, follow the children’s perspective of the discontinuity and the human memory fragments of text space law, no strong logical coherence and plot integrity, showing a fragmented state. In third chapter, discusses the40’s childhood memories of novel aesthetic value. Memory of childhood memories of the world’s children fiction novel and interesting, refers to the adult indifference and numb, a bit commonplace in the memories of the moist giving extraordinary splendor, arouse the adult readers unfamiliar and familiar with the unfamiliar aesthetic experience, aesthetic effect. These childhood memories novel also presents the prose, poetic tendency, broke the traditional novel to focus on storyline integrity fixed pattern, with prose form features, coupled with the inner, warm and cold mixture flow into the emotional text the greatest hero. In children of poetic language and the bright picture, showing the happy innocence in the world, only in the world behind and the living condition of human and the existence value and the significance of deep thinking.Northeast writer group of the group of40’s childhood memories of fiction in aesthetics and Narratology’s outstanding contribution can not be ignored, to the readers’ acceptance also brought beautifully aesthetic feeling at the same time, it marks in modern Chinese novels and prose, childhood maternal narrative poetic novel trend.