A Study On The Singing And Performing Style Of HeNan Opera Master Sang Zhenjun

Sang-school singing founded by Sang zhenjun is one of the three representative schools of Xiang-fu melody.Without understanding the relationship between Sang zhenjun’s singing and Xiang-fu melody,one cannot truly and completely understand Henan opera vocal cavity art,let alone the Xiang-fu melody.However,as far as the current research status is concerned,the academic research on Sang zhenjun starts late and is relatively shallow.Most of the research focuses on recording Sang zhenjun’s art experience and performance,while the research on Sang zhenjun’s singing art,performing art and other artistic styles is relatively rare.For this reason,on the one hand,we attempt to overview Sang zhenjun’s outstanding contributions to the development of Henan opera,from the perspective of cultural geography,communication studies,linguistics,so as to provide more data base for the follow-up research and theoretical basis for reference on tasting Sang zhenjun artistic style.On the other hand,this paper focuses on in-depth ontology analysis of the representative repertoire and the performance of Sang zhenjun’s artistic style to depict her opera view.