Study On Xiangfu Tune 'Ten Places Inside' In Henan Opera

As the largest local drama in the Central Plains region,Henan Opera not only has an extremely large audience group,but also has a relatively good inheritance and development trend.While Henan Opera is being inherited lively,the theoretical research of Henan Opera is also constantly deepening.Xiangfu Tune,as a regional school of Henan Opera,occupies an important proportion in the research of Henan Opera whether it is public opinion or theoretical research.The development of Xiangfu Tune gradually became glorious in the 1930 s,and in this process a large number of Henan Opera art performers appeared.Some of the commonalities that everyone has in these art performances have also focused their vision on such a geographical area of art as "Inner Ten Places".In previous studies,this important area was only an introduction to words.As an important geographical area for the development of auspicious symbols in Henan Opera,studying the historical rise and fall of the "Inner Tten Places" can fill the gap in the theoretical layout of Henan Opera.In addition to the introduction,the thesis is divided into four chapters.The introduction part starts with the current cultural policy and the development of various schools in different regions of Henan Opera,interprets the research significance of the thesis and summarizes the research status.The first chapter starts from the specific concepts,distinguishes the concept meaning of Henan Opera and Xiangfu Tune,and the historical evolution,unifies the meaning of the concepts in the thesis,and clarifies the research scope of the thesis.The second chapter shifts the perspective to the discussion of the "inner ten places" of Xiangfu Tune.From the concept,it gradually explores the geographical location,historical evolution,expression methods and development characteristics of the "inner ten places" of Xiangfu Tune.In the complex administrative historical changes,the administrative concept and artistic concept of "inner ten places" are traced back.The third chapter is based on the geographical area of "inner ten places",and explores the ontology of drama,theater,actors and other operas.The fourth chapter is based on the contents of the second and third chapters to discuss and think about the historical position and influence of "Inner Ten Places" in the history of the development of Henan Opera.