A Study Of Tian Han’s Early Drama From The Perspective Of Freudian Psychoanalysis

Tian Han is one of the founders of modern drama in China.His early stage plays began in the early 1920 s,when all kinds of western Literature ideological trends came into Chinese cultural circle.In the face of various foreign cultures,Tian Han has gradually formed his own creative style with a broad vision of his eclectic and good choice.Among the foreign cultures,there is a theory that Freudian psychoanalysis had a subtle influence on Tian Han’s early drama creation.Therefore,from the perspective of Freud’s psychoanalysis,the author will find and analyze the psychoanalysis factors in the early plays of Tian Han,deeply analyze the spiritual world of the characters,and explore the internal relationship between the early plays of Tian Han and Freud’s psychoanalysis.The paper consists of seven chapters.The first chapter is the introduction part,which mainly discusses the significance of the topic and the structure of the article,summarizes the research results of domestic and foreign scholars on the early stage of Tian Han’s drama,and outlines the research ideas of this paper and the scope of the early stage of Tian Han’s drama.The second chapter mainly summarizes the relevant theories of Freud’s psychoanalysis,Tian Han’s thinking on the meaning of life in his early plays and his later transformation,as well as Tian Han’s influence on Freud’s psychoanalysis.The third chapter analyzes the life consciousness and death consciousness embodied in the early plays of Tian Han by using the relevant theories of Freud psychoanalysis,so as to explore the instinct of life and death in the early plays of Tian Han.The fourth chapter first expounds the reasons of Tian Han’s "Oedipus complex",then discusses the influence of "Oedipus complex" on Tian Han’s early drama creation by analyzing Tian Han’s different writing of male and female in the drama.The fifth chapter explains the source of Tian Han’s "daydream",and then analyzes the purpose and form of Tian Han’s literary and artistic creation with drama as an example to explore Tian Han’s "daydream" concept.The sixth chapter analyzes the literature and art view and creation of Chinese modern writers,and discusses the influence of Freudian psychoanalysis on Chinese modern literature.Finally,in the conclusion,it summarizes the viewpoints of this paper.Through the research and analysis,the following three points are obtained.First,one of the important ways for Chinese modern writers represented by Tian Han to accept Freud’s psychoanalysis is the indirect communication of Japanese literature.Second,Chinese modern writers have not totally accepted or denied Freud’s psychoanalysis,but critically inherited and developed it.Third,compared with other Chinese modern writers,Tian Han has his own uniqueness in accepting Freudian psychoanalysis,which is mainly reflected in his thinking of life and death,his understanding of literature and art,and the appearance of Oedipus complex in the play.