Research On Tian Han's Early Drama Creation From The Traditional Perspective Of Chinese Opera

In the Chinese literary world in the 30 s,the artistic style presents a variety of situations,but how to make the western drama derivatives-modern drama to better adapt to the local arena,is an important issue on the stage of the drama.Tian Han has laid a solid foundation for the development of Chinese drama with his lifetime exploration and innovation.He is not as dramatic as Cao Yu at the peak of the drama,but it is objective.Although his dramatic creation was deeply influenced by the both side of West and the Chinese,it was found that his dramatic works were deeply influenced by the traditional Chinese operas,which was full of national temperament.In the long history of Chinese drama,Tian Han used his life's exploration to build a bridge between tradition and modernity drama.In the early days,Tian Han's plays were rich in color,active in thought and diverse in technique and full of different aesthetic values.This kind of aesthetic value is based on tradition,taking care of the aesthetic taste of the Chinese people,accepting the modern and integrating the expression of the times.In this paper,the Chinese opera to be as the starting point,to explore which aspects do Tian Han's early drama preserve China's fine traditions.At the same time,this kind of acceptance and inheritance is not accepted all,nor just static.The first chapter is the introduction part.Illustrates the topic research and the significance.Through the analysis of the literature of early Tian han drama creation inductive draw domestic and foreign research present situation and the innovation of this study,a more comprehensive added to the choice of research method.The second chapter mainly discusses the cultural dimension of traditional Chinese opera art and aesthetic characteristics.This chapter point out the breakthrough point of the thesis,the author on the basis of Chinese opera,line with a cultural dimensions and explore the traditional culture in the embodiment of Chinese opera works mainly in four aspects: the reasonable unified as art performance standards,ethical and moral situation setting is mainly rely on,with good artistic image of the main criteria,in order to comprehend the fundamental aim of enlightenment function for the society.And on the art aesthetic characteristics,discuss the drama text,and only in the case of not involving performance issues,summing up the main aesthetic features of traditional Chinese opera is mainly embodied in thepoetic and legendary and lyricism.Early in the third chapter expounds the Tian han drama creation,mainly focused on the creation of the Tian han background.This chapter respectively from family life and personal experiences,the dual effects of history and times to this drama with Tian han.The fourth chapter is a key part of the whole paper,discusses the Tian han under the influence of the traditional analysis of early drama creation.Respectively from the overall style to specific works of aesthetic value.First of all,the change of the whole drama culture contains the positive inherited from the main body of the influence of traditional,embodied in the "load" to the "enlightenment" self evolution and by "feeling" to "understanding" conscious reflection.This change is positive,including with consciously change of times,and not consciously change.Second,the diversification of aesthetic aesthetic value orientation shows the Tian han aesthetic pursuit,thoughts lead to style of whole,individuation.Out to appear on the specific performance in art creation of the structure of the disconnection,universality of the characters,the poetic drama language,sentimental,emotional tone of the realism and the tragic consciousness of social criticism.These aesthetic characteristics based on the influence of the traditional Chinese opera,digest,integrating ancient innovation,brought different national aesthetic interest to the public.The fifth chapter conclusion part briefly summarize and summary of the main body of the paper.