A Narrative Study Of Domestic Fantasy Animation Movies(2015-2019)

Since the 21 st century,fantasy animation movies have become the main trend of the exploration and development of domestic animation movies,but under the strong pressure of Japanese and American fantasy animation movies,the development of domestic fantasy animation movies is still difficult.It was not until 2015 that " Monkey King: Hero is Back" came out,and the Chinese construction of the domestic fantasy animation movie really entered a new stage.The success of domestic fantasy animation films since 2015 is highlighted in its fantasy animation film and television meteorology for the creative transformation of Chinese culture.That is to say,the Oriental mythological prototype,with the aid of dreamlike fantasy scenes,evokes spiritual salvation and spiritual return in the visual pleasure.It is mainly manifested in the three-dimensional narrative of the oriental culture,Chinese spirit and the connotation of the times embedded in the fantasy image landscape.This article selects the animation films that have a greater influence in the domestic fantasy animation movies from 2015 to 2019 as the research object.From the aspects of narrative content,narrative perspective,narrative space-time and so on,systematic analysis is carried out.Using text analysis,case analysis and comparative analysis methods,based on narratology theory,drawing on the "New Mythology theory",combined with film and television aesthetics and other related theories,to carry out research on its text narrative and video narrative.This article is divided into four parts.The first part is an introduction,which presents the background and significance of the selected topic,summarizes the research status of the domestic fantasy animation movie narrative,and determines the core concepts,research methods and paths of the research.The second part is the first chapter,which gives an overall overview of the domestic fantasy animation movies since 2015,combs and analyzes their development stage and specific classification.The third part,including the second,third and fourth chapters,combined with several representative domestic fantasy animation film works since 2015,carried out an in-depth analysis of its narrative content,narrative perspective and narrative time and space,and summarized its characteristics and Unique.The fourth part is the fifth chapter,which preliminary discusses the problems that still exist in the narrative of domestic fantasy animation movies,and puts forward countermeasures,hoping to provide some experience for the development and improvement of domestic fantasy animation movies.