Research On The Creation Of Chinese Television Documentary In The Age Of Media Integration

Documentary is an important carrier of communication culture.It has important practical significance for recording history and cultural inheritance and communication and shaping the image of the country.With the rapid development of science and technology,emerging media has broken through the limitations of time and space.With the advantage of superiority over traditional media,the traditional media has been constantly impacted.Today's communication environment has also changed,people's life pace has accelerated,and information has been accepted.The time is fragmented,the channels of communication and the audience are rapidly approaching towards the mobile end.The traditional media and emerging media are mutually intertwined and complement each other,and there is a “melt media”.In the era of media integration,the changes in audience status and communication environment have made the content,form and promotion of TV documentaries follow the pace of the times,with more possibilities,more diversified modes of communication,etc.In the new media environment,TV documentaries need to constantly explore and try,and constantly adjust to develop more perfect.This article mainly takes several TV documentaries with good quality and good response in recent years as examples: Every Treasure Tells a Story,A Bite of China,etc.,the main documentary IP produced by CCTV is mainly based on these works.The characteristics of Chinese TV documentary in terms of creation and cultural value are studied through literature research method,case analysis method and comparative analysis method.This paper is divided into five chapters.The first chapter introduces the background,purpose,value,research summary and research methods of theresearch,and defines the research media and TV documentary.The second chapter is from narrative perspective,narrative strategy,The narrative structure analyzes the Chinese TV documentary in the media age.The third chapter analyzes the audiovisual language from the perspectives of lens,rhythm and sound.The fourth chapter analyzes the Chinese TV documentary in the media age.The characteristics of the fifth chapter reaffirm the cultural value of TV documentaries,mainly including humanistic care and national culture.