Childhood And Wang Yuewen's Literary Creation

Wang Yuewen began his literary creation in the mid-to-late 1980s.During his 30 years of writing career,he has created a masterpiece and built two literary worlds,official and local.He has observed the personality of official Chinese officials.Fission,exposing many problems in the official world,and depicting the social changes in the countryside from a linkage perspective.In this process,Wang Yuewen has always maintained his concern for people and his reflection on society.The thesis is composed of Wang Yuewen's masterpieces such as "Chinese Painting","Mei Ci Story","Between the Morning and the West","Canghuang","The First Year of Love","Water Village" and the novella "Fern Grass Green",Essay Collection "No Violation" and the memoir "Wang Yuewen's Literary Memoirs" as the research object,and explore the relationship between Wang Yuewen's childhood experience and his creation.From the perspective of creative psychology,this paper analyzes the value orientation and aesthetic interest of Wang Yuewen's creationThe introduction part mainly defines the concept of childhood experience,emphasizes the importance of rural childhood to Chinese modern and contemporary writers,and explains the purpose and significance of this paper by combing the writing of childhood experience in modern and contemporary Chinese literature and the basic overview of Wang Yuewen's novel research.The first chapter focuses on Wang Yuewen's collection of essays and related childhood narratives.While restoring the writer's childhood experiences,I highlights the role of mother's love,the local and literature on Wang Yuewen's spiritual replenishment,and finds Wang Yuewen's personality characteristics and values.The reason for its formation.At the same time,these childhood memories also constitute the material of Wang Yuewen's creation.On the basis of the close reading of the text,the second chapter looks at Wang Yuewen's literary creation activities,finds out the "childhood image" appearing in his novel creation,and explores the influence of childhood experience as a psychological set on the author's creation.In addition,the author integrates the views of sociology and history.On the one hand,I tries to find the traditional cultural accumulation and customs of the water village.On the other hand,through the combination of historical materials and literary works,I proves the reliability of Wang Yuewen's childhood memories,indicating that the writers are unique.Experience life,observe and reflect on real life and social development.The third chapter analyzes the unique aesthetic experience of Wang Yuewen from the perspective of creative aesthetics.Uncovering the "countryman" civilian consciousness in Wang Yuewen,the ambivalence of writers' sense of marginality caused by the times,and the writer's insistence on "children's heart".The conclusion part summarizes the importance of childhood experience to Wang Yuewen's creation.At the same time,I explores the two-layer connotation of individual and society reflected by Wang Yuewen,revealing the writer's individual spiritual independence and literary autonomy.